Hello everyone, and thank you for your patience! I have a quick update on the release of The Timekeepers’ War. What was originally supposed to be a June release has been bumped to a July release. But we’re almost there! Everything is ready to print, but I am still waiting on some legal documents that need signing before everything can proceed. The Editor in Chief at my publishing house had an unexpected hospital stay a couple of weeks ago and, although he is in recovery now, it has put a little bit of damper on our initial momentum. Please send some “Get Better Soon!” vibes to Dave Barnett at Bedlam Press 🙂 We can’t do it without you, Dave!
I’ve waited my whole life for this moment, so a few more weeks is not the end of the world (I know you’ve all been waiting a long time too!) What is important right now is that Dave can focus on his recovery; then we can worry about signing papers. But I want you all to know that I haven’t disappeared 🙂 In the meantime, please come check out my Facebook Page. I’m having a giveaway contest right now for people who “Like” and “Share” my page. At 100 likes, I will be giving away a trade paperback copy of The Timekeepers’ War, and at 150 likes I will be giving away a package of The Timekeepers’ War and my novella, Cold Metal War. Please help me to promote my page!
As you may have guessed by the absence of a celebratory post on Tuesday, we are still waiting for Release Day. We are at the hands of the postal system now, for better or for worse 🙂 So I will let you know as soon as I know something. I just wanted to keep you all posted in case you’ve got an online shopping cart full of goodies awaiting that one final purchase! Thank you for reading!
I’m trying not to post an update every time we get something finalized, but things are wrapping up now 🙂 We’re looking at a tentative online release of June 17th provided there are no issues with printing (which I am told is fairly common, so we’ll keep things tentative for now). We’re just wrapping up the tail end stuff: documents to be signed, financial stuff settled, final documents approved and sent to print. It’s not glamorous, but it’s extremely exciting for me!
Just to give an idea of the scale of editing we’ve gone through, I’ll give you the final word count. 115,058! If you’ve been following, you know my original MS was over 146K words. So we were able to trim over 31K words from my first “final” draft, haha. Goes to show exactly how final the editing process is. So, if you’re looking to translate that into actual published pages, you will be interested to learn that The Timkeepers’ War weighs in at 312 pages in Trade Paperback format.
What? That’s not actually that interesting? If you’re a writer, final page count is something you obsess over. I don’t know how many times I’ve picked up a book, checked the page count, and tried to imagine how mine will compare. Too big? Too small? Just right? Don’t tell me you don’t have a page count sweet spot! Some books are too big to hold comfortably for binge reading sessions. Some are flimsy and insubstantial feeling. I think I hit my sweet spot 😉
Anyway. Expect another update in the next week, give or take a few days. And hopefully that update will be “Buy now, at your favorite online bookseller!” Stay tuned 🙂
Things are finally wrapping up on The Timekeepers’ War. I’ve just gone through my editor Amy’s final changes and suggestions, and am greatly relieved to find that we are on exactly the same page. I had the very difficult task of hitting the “accept” button on her edits, and hardly had to do any actual work myself this time (This is what I was missing out on before finding a publisher!?!) I can hardly believe it.
The last time I did an edit, I was pretty much in tears over the pages and pages of “lost” material.
But I guess if I hadn’t done that, I wouldn’t be here. So there you go.
So, we’ve got to do one more run for all the little stuff–typos, missed/punctuation, final formatting. And then we’re done! Still right on schedule for a June/July release date. I’m starting to count down the days to when I hold a copy of my very first (hopefully of many) novel in my hands.
Time to get cracking on the sequel, I guess 😉 The Children of Bathora is up next!
It’s official! The cover art for The Timekeepers’ War has been finalized! I feel very fortunate to be working with such a great team at Bedlam Press. They have been nothing but supportive and cooperative throughout this exciting experience. I just hope there are no scary surprises when Amy gets back to me with the final edits… She’s a little later than expected, which can only mean more work for me, haha. I’ll have to mentally prepare myself for the overhaul 😉 Thank you for sticking with me during this slow time in the publishing process. It seems to come in spurts and lulls. In the mean time I’m trying to finish up some other writing projects I’ve got on the side. The less-fun, more-money journalistic kind, rather than the more-fun, (so far)less-money fictional kind! But I’m fortunate to be able to scrape together a living from writing, no matter what kind it is! Hope I’ll be back soon with an edits update!
The Forever War by Joe Haldeman is a short but sweet military sci-fi masterpiece. What makes it a masterpiece, of course, is that it’s not really about military sci-fi. It’s about people. It’s about war and the devastation and alienation suffered by those who are fighting, compared to the world they leave behind. It is about the futility of warfare on a cosmic scale (and, therefore, on a more local one). It is about how we live to die, and how we can still find room for aliveness. Does that make any sense?
Is it the best military sci-fi ever written? How the hell do I know? I can only read so many books. I think a lot of people are touting it as such without having read nearly enough (which would be all) other contenders. In my experience, it’s a solid front-runner. But there are hundreds of thousands of books out there that I haven’t read, and will never read. And which many people will never read. Maybe one of these unknowns, or lesser-knowns, should really claim that “best ever” title.
There are enough reviews out there to give you a decent idea of the plot of Forever War. I’m not into plot summary. But I did enjoy this book. Almost every aspect of it. Even the anachronistic horror surrounding homosexuality, because at least Haldeman tried. He was able to envision a time in which homosexuality was normalized. And although his protagonist, born in the 1970’s, never outgrows the prejudices of his era, those born afterwards see heterosexuality as the deviant behavior and turn “modern” ideas on their heads. In fact, if the book hadn’t ended with so many of the homosexual characters choosing to be brainwashed into becoming heterosexual at the end (seemed like Haldeman’s way of making these characters “likable” as opposed to “repulsive”), I would have given The Forever War a five star rating.
But I love Haldeman’s vision of war in space and the conundrums which arise with light-speed travel. The notion of a Forever War is frighteningly realistic (in my admittedly unscientific mind) in its futility. Never have I read a book which made me question human nature’s apparent inclination towards violence so thoroughly. And Halderman’s solution to our humanity is equally terrifying. The Forever War is definitely worth a read. And it will be a quick one. I promise!
Let me say first that my rating of Aldous Huxley’s Brave New World is through an “enjoyment as reader” lens, rather than a comment on its historical and cultural value. There is no doubt that Brave New World is a hugely influential and important piece of literature. It crosses the boundaries drawn around it by the Science Fiction genre and has been accepted as a classic work of English Literature. And there are a lot of valid reasons for this to have happened.
I thoroughly enjoyed the first third of the book—the broken and disjointed viewpoints worked to build a comprehensive setting and provided us with all the background we needed without coming across as an info dump (which it certainly was). Unfortunately, as the novel progresses, the readability does not. The characters reveal themselves to be little more than shallow “place holders” for Huxley’s vision. Brave New World is an allegory, sure. But it becomes increasingly difficult to care about these puppets as they are pulled from one predictable scene to the next. Part of their banality is obviously intentional, Huxley is emphasising the lack of individuality and independent thought in his dystopian London. By this rationale, we would expect something more from John Savage. But he too is a puppet. A puppet inexplicably reciting Shakespeare with no linguistic or socio-cultural reference for what it actually means.
As we switch perspectives from Bernard Marx to John Savage, my compassion for the characters actual wanes further. Bernard is a flawed, though, oddly sympathetic character. Of all of the characters I actually felt I understood him, even if he was a cad. Lenina is vapid and pointless. Helmholz may have been interesting, but we’ll never know as he never does more than lurk at the periphery of the story. Savage is all misplaced teenage angst and over-the-top romanticism, but he translates all of his experiences through the words of Shakespeare so that I got the feeling he wasn’t really present in his own story, merely acting out a role in a play he didn’t understand. The only time John Savage interested me was during his debate with Mustapha Mond, when Huxley puts his vision to the test.
Huxley’s take interest in eugenics is surely a response to the emergence of Nazism, Fascism, and Stalinism. The twist on pronatalism speaks to the 1930’s population concerns regarding low fertility rates during the depression era. The two combined, and taken to extremes, are in essence a recipe for great dystopian SF. Had the narrative kept up with the ideas, this would be a fabulously good read. But the problem with readability was, for me, compounded by the Huxley’s problematic treatment of race, class, gender, and sexuality. This isn’t an undergrad paper, so I’m not going to go into ridiculous detail, but I will highlight some of the issues I had with this novel:
On Gender: Ya, I know. It was written in the 1930’s and I really shouldn’t expect anything more. But all of the female characters in this book are completely insipid. All of the characters who challenge ideas in this Brave New World are male. Bernard, Helmholz, Savage, and Mond. That is it. The only possible exception to this is Lenina’s tendency to “fall in love,” first with Henry Foster and later with John Savage. Linda challenges some ideas, but not by anything that she does, merely by the fact that she gets fat and old and therefore ugly. Not exactly screaming examples of female agency.
On Sexuality:In this world of required promiscuity and universal sterility, there is not an inkling of anything other than heteronormative relationships. Even when the goal of sex is just “fun” there is no room for bi-sexual or homosexual attraction, except maybe by accident during a compulsory orgy. Again, ya, I know. Written in the 1930’s. But it’s not like homosexuality was unheard of. In some circles it was even recognized and accepted (albeit in a limited sort of way). Huxley’s hetero world just comes across as unimaginative at best and cowardly at worst.
On Class: There’s a lot going on in Brave New World if you are interested in class issues. Huxley’s dystopia abides by a rigid, genetically engineered and enforced, caste hierarchy of Alphas, Betas, Deltas, and Epsilons. In many ways, Brave New World is a scathing commentary on American-style capitalism; consumption is the name of the game. However, in Huxley’s world of supply and demand, there are those who demand and those who supply. Alpha’s and Beta’s go about their lives doing the “important” work in sciences (mind you, they aren’t actually allowed to think for themselves) and they happily spend their money on stuff, they are the demand. The lower castes exist solely to supply the labour to fulfill these demands. They are genetically engineered to not want or expect anything more than their station requires of them. And they are happier for it. The unspoken sentiment seems to be that if poor/uneducated people would accept their positions and quit trying to rise above their stations, they too could be happy. [This flies in the face of the capitalist fantasy of the “self-made man,” and seems contradictory to Huxley’s other points against the ideology… colour me confused.] Furthermore, the idea that castes are somehow naturally ordered based on intelligence irks me. Granted, there is some social conditioning involved to keep the Deltas and Epsilons content, but the suggestion appears to be that all you need to do to create a happy slave caste is kill a few brain-cells in the embryo stage.
On Race: Ahhh, racism. This was the biggest issue for me. Racist imagery occurs repeatedly throughout this text and it repeatedly grated on my nerves. A pair of Delta-Minus twins are described as “small, black, and hideous,” (Pg. 55) they look at Bernard with “bestial derision,” (Pg. 56). Later, another group is described as “almost noseless black brachycephalic Deltas “ (Pg. 138), or another as “dark dolichocephalic male twins…[with faces like]a thin, beaked bird-mask” (Pg. 183). Now, I should not that there are Deltas and Epsilons that are described as sandy and red-haired, but they are never dwelt upon with such horror as the “dark” ones. Also, it is only the “dark” workers who are described in animalistic language (beastial, beaked). And none of the Alphas or Betas are ever described as dark; they are all Caucasian variants.
Since the caste structures are achieved through eugenics there are two possible scenarios which would account for this: a) dark-skinned embryos are purposefully chosen for the Delta, Epsilon and Gamma castes and not for Alpha and Beta, or b) stunting the development of an embryo somehow creates dark-skinned outcomes. Neither of these possibilities makes me feel any better about what Huxley is trying to say.
Further racist images include the Indians on the reservation, where the once-fair Linda is polluted by her sexual relationships with the dark skinned “savages.” John Savage, Linda’s blonde haired fair-skinned son, appears to be instinctually repulsed by this. When he comes upon Linda and her lover Popé, John describes the scene thusly: “…white Linda and Popé almost black beside her…[a] dark hand on her breast, and one of the plaits of his long hair lying across her throat, like a black snake trying to strangle her,” (Pg. 114). He is so revolted by this that he attempts to kill his mother’s lover.
Later, there is the “feely” that Lenina takes John Savage to. The film is about a love affair between “a gigantic Negro and a golden-haired young brachycephalic Beta-Plus female,” (Pg. 146). The black man suffers a blow to the head and develops an unnatural and uncivilized attraction to the blonde woman, kidnaps and rapes her, before she is saved by “three handsome Aphas” (Pg. 147). Tellingly, the gigantic black man is not given a caste, signifying that even before his injury he is outside of civilized society.
Likely there are more examples, but I’ll leave that up to the scholars…
Now, I’m not going to say they no one should read Brave New World because it’s racist/classist/sexist. Despite these shortcomings, Huxley’s dystopic vision is interesting. Indeed, because it’s dystopic once could argue that Huxley is not advocating racist/classist/sexist views, but speaking against them (I would argue that you are wrong, but it might be fun anyways).
These issues did, however, disrupt my enjoyment of the novel for reading’s sake. And that is what I have based my review on. I have never studied Brave New World in an academic setting. I would be interested to hear from any of you who have, who may be able to enlighten me on any points that I have missed or misinterpreted. I am essentially arguing in a vacuum here. But for now, I’m going to go with a whopping two stars. Brave New World, “It was okay.”
When I first started this blog, I intended to use it to document the experience of writing and publishing a novel. I was frustrated at how difficult it is to find information on what this process looks like. I didn’t know what to expect and I knew there were a lot of writers out there who were equally discouraged by the lack of open communication on the subject.
I think I started off on the right track. I blogged about the endless querying, the nightmare of waiting, the inevitable rejections, the scraps of feedback… But as the process dragged on the time between my posts dragged out. I now realize why there is so little information out there about getting published. The experience is so draining, you lose the will continue. You begin to feel like you are just going to end up with a detailed account of your failure to be published, rather than a helpful how-to for other aspiring writers. It begins to feel like an exercise in soul-sucking futility. I admit it. I gave up. On the blogging, at least…
After breaking down and paying a professional editor to pick my manuscript apart, I underwent a heavy rewrite. I cut over 20,000 words, more than 50 pages; the surviving scenes were cut apart and reorganized to improve pacing. What I ended up with felt like a completely different novel. And I had to treat it as such. I had to start the whole querying process over again.
I would love to be able to say that the second time was easier. But it wasn’t. You think that the hard work is writing the novel itself. But the writing is the fun stuff. I know, I know. You’ve heard that before. But I don’t think anyone who is writing a book really takes the time to enjoy it. You’ve got your eye on the prize, the final product, the big shiny book deal. Maybe that’s part of the reason that the querying process is so disheartening. It’s like running a race; you see the finish line ahead and give it all you’ve got. But when you get there, you realize you still have another three laps to go and you just want to curl up in a ball and die. Or maybe that’s just me.
I sent my reworked manuscript out to the few agents who had shown some interested the first time around, letting them know I’d fixed the issues they’d had with the original. None of them responded. I realized that the pitiful one-liner “feedback” I’d received from each of them was likely just dressed-up rejection. Only one of my original queries had elicited real, concrete feedback. And that was the editor of a small science fiction imprint called Bedlam Press. It was actually his feedback that prompted me to hire an editor for my manuscript in the first place. So to hell with agents. I sent it back to Bedlam.
And they signed me! The Timekeepers’ War will be coming out this summer. I’m working with the artist on ideas for the cover and waiting for the final changes to be suggested by the editor. It’s going to be a lot of work getting my name out there and promoting my first novel, but I feel confident knowing I’ve got a great team behind me. Again, I find myself at the finish line only to discover that the race has only just begun.
I apologize for how negligent I have been with my blog updates; I’ve had a lot going on. Actually a lot. I’m not just making that up.
But in the mean time, magic has happened and I’m super excited to announce that I am going to be published! I am looking at a June/July release date… so start saving those pennies! I hope to have links up soon for e-book and paperback purchases. I am looking for sci-fi reviewers to take a look, so if you’re interested, please message me and I’ll hook you up with a review copy. I plan to write a retrospective on how this came about, for those who have been following since the beginning… I just need a moment to collect my thoughts. Please leave any questions/comments below and I will try to address them in my next post!