Indie Feature Friday: Historical Fantasy Book Review – The Dogwood Grove by W.A. Ford

Look at me, posting my Indie Feature Friday review, and it’s actually a Friday and everything!

I hope my American friends are comfortably digesting their holiday dinners and that no one’s credit cards have melted with all the Black Friday shopping happening today.

If you’re like me, and you prefer to spend your long weekends curled up with a good book rather than battling shopping crowds, I have a great suggestion for you…

Today I’m featuring a book by an author I have read and reviewed here before, W.A. Ford — who wrote The Fadian Experiment and The Fadian Escape — and I love her blend of sci-fi and fantasy. But today, I’m reviewing something a little bit different.

And I think Ford’s voice absolutely excels in this genre!

Historical Fantasy Book Review: The Dogwood Grove by W.A. Ford

The Blurb:

Friedrich des Allmandes is not that unusual for his time and place. A mixed-raced freeman, he gets by on day work and his deceased mother’s mystical reputation. On the surface, his life is no different from any other hired hand, but Friedrich has his own mystical reputation. To his mother’s people, he is a promised savior who can lead them to freedom, but not until he embraces the spirits of their homeland. To his father’s people, he’s a ghost…his father’s ghost, and they’re far more accurate than they know. Friedrich has no plans on following either path until he lays eyes on the most beautiful woman he’s ever seen.

Savench lives in a gilded cage built by those who share her blood. Her days are spent serving her well-bred half-sister, but now that they’ve come of age, their resemblance cannot be ignored. Shunned by polite society, they are shunted into a rural household. All seems well, but behind the scenes Savench is victim to the supernatural forces of their new home. Help comes in the form of a hulking German who promises her an escape from her horrible life. The opportunity is perfect, but is he or anything he promises real?

The fate of an entire bloodline rests on the choices made by two people with little understanding of their role in the universe.

My Review:

I am going to be honest here. I have a weakness for books set in the Southeastern United States. I think it started with Anne Rice’s thick, moody descriptions of New Orleans in the 18th and 19th centuries in her Vampire Chronicles. I spent so much time with those characters as a teenager that I almost feel like New Orleans was a formative part of my childhood, even though I’ve never been there.

Now, as an adult, I realize that the gothic romance version that lives in my head is probably not remotely realistic. However, the feeling sticks.

I love Carl Hiassan’s crime caper novels set in Florida.

I recently read an old G.R.R. Martin novel called The Fevre Dream which is set on a steamboat on the Mississipi River. It also features vampires, though in a much less romanticized way than Rice’s series. It’s quite a brutal read at times. The true horror of that novel is the way human beings treat one another. We are the monsters.

N.K. Jemisin wrote a short story called “The Effluent Engine,” in her collection How Long ‘Til Black Future Month?, a queer steampunk love story set in an alternate past New Orleans. It stands out as one of my favourites in that collection, and I loved every single one of the stories in it.

From Tom Sawyer and Huckleberry Finn to The Princess and the Frog (my all time favourite Disney movie) I have to say this particular area of the world is one of my favourite fictional settings.

Why?

I don’t know. I love the dichotomy between the vast wealth and opulence of the upper classes and the harsh realities faced by everyone else. I love the great cultural stew pot, and the dynamic between old world and new world ideals and ideas. There is a richness and a depth to the history of this area that begs to be explored.

Of course, these dichotomies are ripe with conflict, which is why it’s so powerful in fiction. And we would be remiss not to acknowledge the very real struggles of people past and present who have lived with the absolutely brutal reality of the “interesting times” that shaped the Southeastern United States.

There’s a reason that “May you live in interesting times” is a curse.

That said, W.A. Ford’s The Dogwood Grove is one of the best books I’ve read in this, my favourite, setting.

The Dogwood Grove is set on a plantation in the bayou. And it is full of mystery, magic, and absolutely dripping with tension. Ford’s descriptive power shines in this novel, I felt as I was reading how she invested herself in every character and every scene.

Deliciously atmospheric and complex, the book has a large cast of characters each with their own conflicting goals and motives, and each with a distinct voice. We get perspectives of slaves and settlers, ghosts and gods, and Ford pulls it off beautifully.

The blend of mysticism and magic from all around the globe — Germany, France, Spain, Turkey, Africa — is stirred up in a pressure cooker in the steamy swamps of the bayou.

I found myself surprised by the people (and other entities) that Ford was able to make me feel compassion and empathy for. And this, to me, is the finest mark of a great storyteller.

If you love historical fantasy and want to try something very different, I highly suggest grabbing a copy of The Dogwood Grove.

Technical details:

This is an indie novel, which means the cost of producing this book falls entirely upon the author. It often takes years to save up to put a book out, and more years again to earn enough to fix any errors we find.

That said, I was very happy with the quality of this book.

Ford is clearly an excellent writer. You won’t find any sloppy prose here. While there were minor typos and punctuation errors scattered throughout the book, I didn’t find they detracted at all from my reading experience because I was so invested in the story.

To me, personally, a poorly written book that has been well-proofed for misplaced commas is still a bad book.

This is a great book with some minor errors.

Discussion:

What is your favourite book set in the Southeastern US? Do you have a favourite book setting? Let me know in the comments!

Indie Feature Friday: SF Book Review – Bob’s Saucer Repair by Jerry Boyd

Looking for some light reading this weekend? I’ve got a great book suggestion for you.

I pay close attention to the “customers also bought” suggestions that Amazon makes on my own books, because I like to have an idea of what kind of readers my weirdo genre mash up series is appealing to (in hopes that it might unlock some secret that makes it easier for me to advertise them… )

So I have been noticing a series of books that readers of my own series seem to like. It’s a Humorous Sci-Fi series called Bob and Nikki, by Jerry Boyd, which is 21 books long and counting!

This series consistently ranks in the top 5000, and I’ve seen the latest book crack the top 500, in the entire Amazon store. This is the kind of series I dream of writing some day. Oh, to serve a hungry niche audience a steady diet of humorous sci-fi adventure stories! *sigh*

Well, clearly Mr. Boyd knows what he’s doing. So I decided to check out his work, and I downloaded Bob and Nikki #1 Bob’s Saucer Repair.

I also tracked the author down on social media and asked if I could pick his brain a little bit about what he thought made Bob and Nikki so successful. We had a fantastic conversation, and I may ask if I can interview him for a future blog article because what he had to say was very interesting.

But this is a book review post, so let’s review this book!

Bob and Nikki #1: Bob’s Saucer Repair

The Blurb:

Bob thought he was doing fine on his own. Then the love of his life fell out of the sky. Can he get her back in the air with auto parts and a cutting torch? If he does, will she ever come back?

Nikki took a job before she saw the equipment. Can she keep her passengers alive on a strange planet?
Are the natives friendly?”

John is doing well with his underground medical practice, when his sometime partner Bob calls him with a job. A job that changes everything.

My Review:

Bob’s Saucer Repair is a fun, wholesome take on the Men’s Adventure Fiction genre. The premise is simple.

What would you do if you came home from work and found an alien fixing her flying saucer in your garage?

Fortunately for Bob and Nikki, she is descended from a group of space faring humans likely responsible for populating earth with homo sapiens around the time that we broke from homo neanderthalensis (a classic sci-fi trope on its own!)

So, although there are some slight evolutionary and technological differences, the two hit it off. But Nikki has a job to do and Bob takes it upon himself to help her get her team off the planet.

Stylistically, Boyd favours dialogue over prose heavy exposition, and a lot of the plot is revealed through the fun and funny banter between Bob and Nikki, and some of the other friends they recruit along the way. There isn’t a ton of difference between the characters in voice or humour, but the resulting dialogue is very fast paced and readable. They riff well off each other, and the dialogue really does help to move the plot along.

Something I appreciate about this series, and one of the things that Boyd contributes to his success, is that it’s a very clean and wholesome compared to a lot of darker, grittier, and explicit books on the market. There is no “on page” sex, minimal violence, cursing is pretty PG. There’s a little flirting and innuendo, but it’s nothing you would be appalled to see a 12 year old kid pick up.

It’s a very light read, pure pleasure reading. I devoured it in a single sitting (partly because Boyd has chosen not to use chapter breaks, and I was driven to just keep going! tricky, tricky, Mr. Boyd). There are no major conflicts. The conflicts that do come up are debated, and skillfully handled. This is not high stakes action. It’s youthful adventurousness. Not, “OMG they’re all going to die.” But “I wonder what’s going to happen next!”

This will not be for everyone. It’s not even the kind of book I usually gravitate toward. I like my high-stakes action! But I would be lying if I said I didn’t enjoy the hell out of it. It was like popcorn. I started and I couldn’t stop. And I will go on to read the other books in the series when I need a nice light read because I’m tired, or need to recover from a more intense book.

Discussion

It does surprise me a bit that readers of Bubbles in Space are also reading Bob and Nikki, because they are very different stylistically. I do have a lot of humour in my books, and I use the Humorous Sci-Fi category, too. My humour tends to be a bit darker, though, and of course there’s a lot more high-stakes action.

But I don’t swear or have “on page” sex, and although the world is dark and gritty, there is a lightness in the interactions between the characters. So maybe this is the connection? I’d love to hear from readers who enjoy both series’ to hear what the common denominator is!

Do you like light fluffy reads every once in a while? What’s your go to popcorn read?

Goal Smashing: What writing pulp fiction taught me about creativity and productivity

Yesterday, I did something that I used to think was impossible. I did the final read through of Cherry Bomb (Bubbles in Space #5) and sent it off to my editor.

What’s impossible about that?

It’s the fifth full length novel I’ve written this year. I’ve also written a novella, and two short stories. So far this year, I have written 424,000 of fiction. If I include my blog posts and business writing (my “real” job) that’s well over half a million words. Even thinking about that number gives me chills of imposter syndrome and terror. But I did it.

And I’m not finished yet.

I still have two novellas and a short story planned before we ring in the New Year!

There was something about finishing this book that really had a milestone feel for me. And I’ve been thinking about all the impossible things I did this year, and what has changed in me and my process to make transform the impossible into the possible.

How did I do it?

In order to make the most of a milestone, I believe it’s useful to look back on what you’ve learned on the way.

I believe it’s invaluable to share that knowledge with others who might be on the same or a similar path, so that they won’t have to stumble on the same potholes and pitfalls along the way.

So here’s what writing pulp sci-fi novels has taught me about creativity, productivity, and possibilities.

My journey so far

When I completed my first full length novel, The Timekeepers’ War (Bedlam Press, 2014), I had be plugging away at it in fits and starts for the better part of ten years. But I never seemed to have the energy or focus necessary to make any real progress on it. I had about fifty pages of delicious prose and world building and a vague sense of who my character was, but I couldn’t get farther than that.

I told myself I didn’t have time. I worked full time, often away from home for a month at a time, and I just didn’t have the motivation to write at the end of the day.

Part of this is that I drank too much, and part of this is that I was likely depressed.

But a bigger part was that I didn’t really know how to be a writer. I had no process, no schedule, no structure. I was floating around, being yanked around by my “Muse.”

Lesson #1: It’s better to try and fail than never to try at all

My husband and I decided that it was better to try and fail than not to try. So I quit my job and took an entire year off to write full time in order to figure it out. I had to prove to myself, one way or another that I could do it.

This was the first real step on my journey. Deciding to really try, even if I might not succeed.

It took me the entire year to write a 150, 000 word door stopper. I loved it. My friends and family loved it. I shopped it around to agents and many of them loved it… but after requesting longer and longer samples, eventually, all of them said “No, thank you.”

At that point, I didn’t know if I could carry on. It was simply too much work for no guarantees. It seemed impossible to even write a book a year, because until I sold a book with a signing bonus, I was going to have to go back to work.

Lesson #2: Critical feedback is golden

Then I got an email from the Editor in Chief of a mid-sized publisher who loved my writing, and took the time to tell me why it wasn’t going to work for him.

It was too long, the pace was too slow, and the dialogue too long. He suggested I get it professionally edited and to resubmit it.

So I did.

Lesson #3: All mistakes are fixable

I cried when I got my editorial feedback back. But I did what he suggested. I rewrote and restructured the entire book. I cut almost 50K words (about 100 pages) of material. Of the sections that I cut and rewrote, the new versions were invariably better than the old ones.

And the book was better. I resubmitted it, and I got signed.

Lesson #4: The work is never done

You will not be surprised to learn that getting published did not skyrocket me to stardom. My publisher wanted the next books, so I had to get writing.

Writing one book makes the second book easier, but not easy.

It took me five years to finish the second book in my trilogy. I rewrote it three times. The final time I did it from scratch as a NaNoWriMo project, using a detailed outline.

Lesson #5: Consistency > Quality

“Winning” NaNoWriMo taught me the value of a consistent writing schedule. Even writing 500 words a day is the equivalent of 182,500 words a year. That’s 2-3 full length novels!

My first draft needed a lot of work after prioritizing consistency over quality. But revising an existing story is much faster than writing a brand new story. That NaNoWriMo project became my second traditionally published book after three months of revisions. This was a blistering pace compared to my previous attempts.

Writing every day with a set word goal in mind trained my brain to write when I sat down at the computer. I didn’t need long stretches of uninterrupted time, I didn’t need absolute silence, I didn’t need to be in the right mood or feel inspired. The more I wrote, the easier the words came.

And the quality of those words improved as the consistency became second nature.

My third book in that trilogy took me three months to write and revise, start to finish.

That pace would allow me to publish two books a year (if my publisher could keep up with me!)

My personal challenge

Around this time, I began to come to terms with the fact that releasing five or more books a year as a self-published author was a far more likely avenue for success than releasing a book a year through a mid-sized (read: Not Big 5) publisher. Because my publisher had taken a chance on me and opened the door of possibility for me, I decided to leave my original series with them.

Lesson #6: Learn from the masters

That meant that in order to start self-publishing I needed a new series. I knew if I wanted to be able to write quickly I needed something with a fast-paced, linear plot, and likely a flat character arc.

Case Study: 1930s pulp writers like Raymond Chandler and Dashiell Hammett.

Mid-century American pulp writers were some of the most prolific and skilled writers in history. They were masters of sparse prose, snappy dialogue, suspense and tension.

So I immersed myself in pulp. I practiced the style, I studied the plots. These guys were pure storytellers. Nothing fancy, just raw story.

I wanted to write sci-fi, so I blended the two genres and started plotting the first tale of my gritty cyborg detective, Bubbles Marlowe.

Lesson #7: Big impossible things are made up of small possible things

Other writers have taught themselves to write thousands of words a day, consistently. Many of these writers are not just good, but great. Isaac Asimov wrote more than 300 novels in his lifetime. Impossible! He must have been a genius, right? Did Asimov write 300 books because he was a brilliant writer? Or is was he a brilliant writer because he wrote 300 books?

Practice makes progress.

Goal #1: I set myself a goal of writing five 60K word novels in 2021

Many small possible things had to happen in order for me to meet this goal.

I decided I would write 2000 words a day in January. That should give me a 60K draft. I allowed myself three weeks for revisions, and three weeks for a professional edit. Three weeks for final edits and formatting, and set up a pre-order for book 1 for March 31. If I overlapped some writing time with editing time, I needed nine weeks between releases.

Rinse and repeat.

Lesson #8: Anything you keep practicing, gets easier

Guess what happened? I started writing longer and longer books in my 30 day writing periods. Book 1 was 60K, Book 2 was 63K, Book 3 was 80K, Book 4 was 83K, Book 5 was 87K.

Once upon a time 1667 word a day for one month a year was IMPOSSIBLE.

Now I write an average of 3000 words a day, and often have days where I write 5-8K. And the quality of my writing has actually improved as I’ve gotten faster.

I completed a five book series in one year, as well as holding down my normal business writing workload and home-schooling three kids. How? By breaking it into small, achievable goals.

Lesson #9: Start small, build slowly

When my kids were babies, writing 500 words a day was a stretch goal. I shifted my focus to flash fiction and short stories because that was the scale that made sense at that level of productivity.

I increased my goals incrementally in 500 word blocks, alternating my focus between speed and quality, until I could comfortably write 3K a day. I am no longer pushing for more words a day, I’m focusing now on the quality of those words.

Some day I hope to write 5K high-quality words of fiction every day (maybe then I’ll let myself have weekends off!)

Lesson #10: Share your goals

I talk a lot about my goals on social media and in writing groups. I give regular updates in professional groups. This keeps me accountable.

But I also include my family in my goals. I talk every day about how my writing went, anything I’m struggling with, what my sales are like. They are just as invested in my success as I am. My kids are proud to tell their friends and teachers that their mom is a writer. My husband is bankrolling this very expensive hobby of mine because some day, he’ll be able to retire thanks to my career as a writer.

How can I be so confident? Because I have proven to myself that I can do what it takes to run a successful author business. I can research and learn anything.

2021 was an amazing year for me. I set stretch goals, made consistency a priority, involved my family in my journey, and pushed myself hard than I have every pushed myself at anything. 2022 will be even better!

What I learned about creativity

I am not a slave to my Muse. Creativity is a muscle you can strengthen by challenging yourself to try new things, try hard things, and practice everything! I have more ideas now than ever, and now I don’t feel overwhelmed by that because I have time to explore them all.

What I learned about productivity

Consistency is key. It’s more important to write every day for a little bit than to have a few long sessions here and there. Focus on one thing at a time, speed or quality. And don’t try to multitask! Phones off, browsers closed, use a timer if you have to.

What I learned about possibility

Seemingly impossible things can be broken into small, possible steps. Nearly all goals are achievable if you give yourself enough time and stick to a plan.

The next goal

I have 10 books planned for next year! A prequel novella and re-releasing my dystopian trilogy, a 5 book techno-thriller series, plus a couple of pen-name side projects.

Discussion

What do you think is the most important lesson on this list?

Special Guest: Indie SF&F Author C.S. Boyack

What are you reading this spooky season?

I like to reserve October reads for all things horror and paranormal, and this year I’m doing something a little different.

I’ve decided to dive into C.S. Boyack’s The Hat series! It has been so much fun.

I have read and loved Boyack’s cyberpunk detective novel Grinders, and have been wanting to explore some of his other worlds.

Boyack is a writer who really knows his craft and seems to have no end of wild and whimsical ideas to explore.

I really appreciate his sense of humour and love of the absurd, and that’s ultimately why I settled on The Hat series. You can read my review of the entire series (so far) here!

I’m fortunate to have C.S. Boyack on the blog today to share a little bit about this series, and in particular the book Viral Blues! Check it out. Maybe The Hat will tickle your fancy, too…

Viral Blues by C.S. Boyack

Thanks for lending me your space today. This is a new stop for me, and I’m excited to visit. I like to give my paranormal stories a little nudge during October, and that’s the reason for the visit. This year, I’m pushing The Hat Series. There are currently four titles, I have four weeks, and it seemed like a good idea at the time.

This week, the focus is on Viral Blues. I try to have a lot of fun in this series, so consider it as dark humor. This was my poke at the superhero team-up adventures that are all the rage right now. I have enough characters to pull it off, and had a great time putting them in the same story and letting them fight for page time.

One of the goals in this series is to make them all stand-alone titles. If you were to pick any of them up, you won’t feel lost by reading them out of order. This one is a lot of fun, and involves someone tampering with the nation’s vaccine supply. Oddly enough, I published it before we ever heard of Covid and the whole mess the world has right now.

The clues behind this disaster have supernatural overtones, and this is why the team comes together. This is a rollicking adventure with humor, blood, brains, and even a flamethrower involved.

As another poke at pop culture, I included a secret last chapter after my author comments. You don’t have to read it to get the complete story, but you’re going to want to. Think of it like my after-the-credits scene.

This story includes some of my most popular characters over the years, but Lizzie and the hat are center stage. It’s one of their tales. I hope your readers will give it a shot.

http://mybook.to/The-Hat-Series

The Blurb

The Hat Series is my opportunity to have a little fun, and readers seem to be enjoying themselves, too. The series fits into a variety of pigeonholes as all stories do. If you’re looking for supernatural, paranormal, or urban fantasy, with a dose of dark humor, this might be the series you’re looking for.

Lizzie St. Laurent is a hard working twenty-something. She’s struggling with the issues of being a young adult, but also dealing with the supernatural world. After her grandmother died, she tried to get a memento from the estate. Her greedy uncle refused to share, so in desperation, she stole a box from the moving van.

Her treasure turned out to be an old hat that belonged to her grandfather. Not exactly the knickknack she was hoping for. This isn’t any ordinary hat. He’s actually a being from another dimension who was brought here by witchcraft. He has a few magical skills, but also some more ordinary ones. He can transport her to a cabin, deep in the forest, among other things. A bit more ordinary is his ability to play the upright bass, but only if he has a human host to manipulate. He’s also a shapeshifter, but is limited to always being a hat of some kind.

The hat has been in Lizzie’s family for centuries, and all of his partners have been monster hunters. Their symbiotic relationship also created an additional income stream for Lizzie. They formed a small cover band, which tends gets them out at night when monster hunting is more productive.

I put all kinds of strange things into these stories to make them fun. My section breaks have all been replaced with a series of bass clefs. I also include silly graphics in various locations to enhance the tales. You’ll find tons of snark mixed in with your blood and adventure.

These are short novels, designed for a single afternoon. While it is a series, they can be read as stand-alone tales. If one of the other volumes is your entry-point, I don’t think you’ll feel lost.

If this sounds like something to make your October complete, I’d appreciate you checking it out.

Discussion

What do you think? Are you intrigued? Titillated? Maybe even a little bit… excited?

Thank you so much, Craig, for sharing this series with us!

You can read my reviews of Boyack’s work here:

Indie Feature Friday: Grinders by C.S. Boyack

Indie Feature Friday: The Hat by C.S. Boyack

Indie Feature Friday: The Voyage of the Lanternfish by C.S. Boyack (coming soon)

Monday Musings: Why so Serious? The Curse of Women Being “Taken Seriously” in Sci-Fi

Unpopular Opinion: I’m kinda tired of women being “taken seriously” in Sci-Fi.

Before you tear my head off, hear me out.

Please!

Women have struggled for years to be included in and taken seriously as characters and creatives in the world of Science Fiction.

For decades we were lucky to be included at all. At best we were pieces of ditzy eye-candy for the real “heroes” to ogle and make cringey remarks about. At worst, we weren’t even there at all.

Have you ever read women as written by “the great” Isaac Asimov? I’ve tossed a couple of his books at the wall, trying to make my way through the classics of the genre.

I’ve just about abandoned the Sci-Fi Cannon for this reason.

Photo by cottonbro from Pexels

A New Age of Women in Sci-Fi

Today, more and more women are being taken seriously as skilled scientists, science fiction writers, and as characters in science fiction books.

AS WE SHOULD BE!

Make no mistake.

This is great! It’s wonderful. It’s glorious!

Hallelujah!

Most of my absolute favourite Sci-Fi writers are women. Octavia E. Butler, Margaret Atwood, N.K. Jemisin, Martha Wells, Anne McCaffery, Lois McMaster Bujold, Ursula K. LeGuin, C.J. Cherryh… the list goes on.

Coincidentally, these female Sci-Fi authors tend to write the most well-rounded female Sci-Fi characters, too. These characters are strong and smart, capable leaders, fierce warriors, reluctant saviours, sometimes nurturing and sometimes destructive. Always badass.

They’re characters that young women and girls can look up to and respect, they’re the kind of people anyone could aspire to be like.

But is there such a thing as being taken too seriously?

There is one archetype that we often see in male sci-fi characters, particularly in sci-fi humour, but which we rarely see in female leads.

Character Archetype: The Fool.

There is a serious derth of fun, funny, feisty, f*ck ups in our Sci-Fi femmes.

Why is this?

I think we have been fighting for so long to be taken seriously that we have forgotten that it’s okay to be a screw up.

What Exactly is the Fool Archetype in Story?

Despite the name, Fools are not necessarily foolish. And they aren’t always screw-ups, either.

Often the Fool is a light-hearted character, but their role can be quite disruptive to the status quo. This makes them fascinating to watch and read, as they undermine authority with innocence and humour, and ultimately act as a balance against characters that are too powerful, too serious, and too rigid in their beliefs.

Traits & Characteristics of the Fool or Jester Archetype

  • The Fool is a character that, knowingly or not, breaks cultural norms in the name of Truth.
  • They are willing to say and do things others are scared to, without regret or embarrassment.
  • They are rarely cruel on purpose, but sometimes hurt people who are unable or unwilling to accept the Fool’s unfiltered observations.
  • The Fool is unashamed of who they are, and doesn’t care much for what other people think of them.
  • They are resilient, they laugh at their mistakes, and will get back up again no matter how many times they are knocked down.
  • They live in the moment, usually not dwelling on the past or worrying about the future, but focused on enjoying the moment.
  • Often the Fool is an innocent, either a fish-out-of-water in a world they don’t understand or someone who is naïve to life’s harsh realities.
  • They are Truth Speakers. Their observations often reveal hidden realities that other characters wish would be overlooked.
  • They poke holes in over-inflated egos.
  • The Fool is a balance against Authority figures, and often acts as a metaphor for cultural conscience.

Pure Fool characters usually don’t make the best protagonists, because their innocence gets in the way of their agency.

However, elements of the Fool are often used to round out characters who are a little too tough to be believable.

Men have always had great Fool characters, especially in comedy.

There are elements of the Fool in many of Sci-Fi’s classic action heroes, because it provides a nice balance to the invincible super-hero archetype.

Marvel knows what’s up.

The most endearing moments of Marvel movies are when these god-like characters get a little goofy. It’s the entire reason that Guardians of the Galaxy is so much fun to watch.

DC capitalized on an Essence of Fool in the beginning of the 2017 Wonder Woman film, too. Diana’s character embraces many traits of the Fool when she is first introduced to life in “the real world.”

But it’s rare for women to be allowed to play the Fool.

Where are the Foolish Women?

Women in Sci-Fi now fall into two major groups these days.

There are the tough as nails warrior types, who are essentially male action heroes with a mammary make-over, maybe with some superficial nods to motherhood or menstrual cramps for authenticity’s sake. These characters can be fun, and are a nice nod to the “Anything You Can Do, I Can Do Better” attitude that female inclusion often takes on in its early stages. It’s a bit of over-compensation, but it’s cool.

Similarly, there are the “expert” types. Hyper-competent at whatever they do, from particle physics to piloting a space craft, these indominable ladies occasionally battle interpersonal conflicts with people who (rightfully) feel inferior to them, or they’re given some past trauma to make them more relatable. Often, these women must learn to “soften” themselves in order to rally their teams around them and take on the world.

But they rarely embody the Fool.

The Urban Fantasy and Paranormal Women’s Fiction Advantage

We all love to see ourselves as heroes, but women need to see themselves as Fools, too.

It can be inspiring to read about successful, competent, fearless people.

But it can be alienating, as well.

Especially in these uncertain times, where no one really knows what’s going on or what the “next right thing” is. Characters who always seem to know what to do are… well, not exactly relatable.

Sometimes escapism is about visiting other worlds as a powerful hero, dominating every challenger to cross our paths.

And sometimes escapism is joining a clumsy, over-looked, under-dog scrabble around for survival (no world-domination in sight).

Women like to read female characters that embody aspects of themselves. And this includes the less-than-glamourous stuff.

I would argue the rise in popularity of Young Adult, Urban Fantasy, and Paranormal Women’s Fiction is due to female authors tapping into this need.

And they’ve been wildly successful with it.

Why Do Adult Women Love Young Adult Novels?

Female SF&F readers have long been drawn to “Coming of Age” themed Fantasy novels because it’s one subgenre that has historically included us in a more than just a superficial way.

The rise in popularity of Young Adult novels is really just a rise in popularity of the Coming of Age theme, probably as the number of young people peaked in the 1980s and the Late Gen X and Early Millennials kids became a massively powerful buying market.

I would argue that one reason women (more so than men) have continued to read Young Adult novels once they reach adulthood is that there is a scarcity of these fun, naïve, care-free Fool type female characters for us to identify with in much of popular culture.

Adult women’s stories have tended to revolve around motherhood, marriage, and careers, with a very short window for care-free characters to enjoy their freedom, and that freedom is often presented as a kind of guilty pleasure. Women who don’t settle down are looked down upon in a way men typically aren’t.

Even today society treats with suspicion any woman who chooses not to get married and have children.

But women are waiting longer to have children (if at all), are choosing not to get married, are redefining male dominated industries, and becoming successful business people in all kinds of non-traditional ways.

And that fish-out-of-water feeling often never goes away.

Women are drawn to awkward, sometimes-bumbling, but well-intentioned screw ups…

Why?

Because we’re stumbling our way down a lot of unbeaten paths!

The Urban Fantasy Explosion

If you’ve browsed the Urban Fantasy section of Amazon lately, you’ll find fun, brightly coloured, covers featuring tough and sexy female leads with magic literally exploding from their fingertips.

These books contain stories about sassy, sarcastic women who don’t conform to society’s expectations of them and who often find they really belong in a hidden, secret world where their flaws are actually assets and they are destined to be something important (something more than a good student, a wife, a mother, or a successful career woman).

And usually they suck at mastering their secret skills. Because nothing worth having comes easily, dammit.

These books are fun and funny, usually have a little romance, but ultimately are about underdogs finding a place to belong.

It’s a grown up version of the classic bildungsroman or Coming of Age novel.

It’s grown up because women are still struggling with these real life problems well into their 20s and 30s.

And it’s still there in our 40s, 50s, and beyond, which brings us to…

The Middle-Aged Magic of Paranormal Women’s Fiction

Paranormal Women’s Fiction is a hugely popular subgenre of Urban Fantasy that caters to women over the age of 40.

The characters in these books are still fun, sassy, and sarcastic but they have a different mission from our 20-something Urban Fantasy protagonists.

These women are re-discovering themselves, often after divorce, the death of a partner, children moving away from home, or abandoning an unfulfilling career.

And they, too are bumbling along making a mess of things. Despite everything they have learned, they are in many ways an embodiment of the Fool, as they reveal aspects of themselves that they had buried in order to put others before themselves.

The Curse of Being “Taken Seriously” in Science Fiction

How many female protagonists in Science Fiction fit this Foolish archetype?

Not many.

Why?

Because we’re still fighting to be taken seriously in this male dominated genre.

Being seen as silly, frivolous, emotional, or HEAVEN FORBID “irrational” in Science Fiction is to be written off as NOT REAL SCIENCE FICTION.

Men are allowed to be silly and frivolous in Sci-Fi, but not women. How many of these 19 Funniest Sci-Fi Books are written by women? One. How many are about women? One and a half.

Here’s another list of 25 Best Funny Sci-Fi Books. Six are written by women, of these one is a fantasy novel and four are written about men.

The reason I’m using Humorous Sci-Fi lists as an example is that outside of this sub-genre it’s even harder to find Female Fool characters.

Is There Hope for the Female Fool?

I believe the winds of change are blowing…

Young Adult Sci-Fi is becoming more popular, where it used to favour straight Fantasy and Fairy Tale retellings.

That means adult women are reading more Sci-Fi. Okay, I haven’t done a deep dive on the data but they make up the largest percentage of YA readers, so it’s a reasonable assumption.

And frankly, I think we’re moving beyond trying to impress our male peers with how much we can act like them.

We’re getting a lot more comfortable just being ourselves, as quirky, fun, nerdy, colourful, and sparkly as we like to be.

If that sounds frivolous to you, I’m sorry. I’m sending glitter rainbows of sympathy your way.

Soon, I predict, we’ll see an influx of Urban Fantasy-esque female leads who don’t quite have their proverbial shit together, but who are still struggling to find their place in their Sci-Fi worlds.

At least I hope so, because these are the books I’m trying to write…

Bubbles in Space

Bubbles Marlowe is my take on the kind of character I’d like to see more of in Sci-Fi.

She’s broke, newly sober, sucks at her job, and hates her life.

But when it comes to protecting her friends and the innocent people of HoloCity, she’s the first one to stand up and fight.

She’s just not always all that good at it…

Discussion

Do you have a favourite female character who embodies some of the traits of The Fool archetype? Bonus points for Sci-Fi characters!

Monday Musings: How far away is the technological singularity, really?

Will we some day invent super-intelligent computers capable of absorbing and destroying the human race?

It’s a question that science fiction writers have loved to explore since the early days of computing. It’s an evolution of the fear that inspired Mary Shelley’s Frankenstein, really.

Will human beings take their desire to “play God” too far and end up being destroyed by their own creation?

We have had similar fears about cloning, gene hacking, and weather manipulation. But there is something about computers and artificial intelligence that rings louder alarm bells for many of today’s top scientists working in the field. And while AI and robotics continues to be one of the fastest advancing branches of scientific research–and recent developments promise to bring human quality of life to new, higher standards–the cold, hard truth of the matter is that this technology could be very dangerous.

What is the singularity?

The technological singularity is a hypothetical point in time at which technological growth becomes uncontrollable and irreversible, resulting in unforeseeable changes to human civilization.

What will the singularity look like?

Because “the singularity” is a hypothetical situation, we don’t really know.

The concept is not based on any one scientific or technological fact but rather is the product of a kind of guesswork–guesses made by some of the most brilliant minds of this century, mind you, but guesses nonetheless–based on what we currently know about the limits of computing, coding, and the human brain.

At what point in machine learning do we consider a computer/program/robot to be sentient or sapient?

Is sapience required for singularity? Does a machine have to be self-aware to be a danger to human beings.

What if computers learn to think differently from humans and we don’t recognize their self-awareness?

We don’t know.

But it helps to understand how machines are currently being taught to think, and how that differs from the way human beings think.

What is the difference between machine learning and deep learning?

These two terms are tossed around a lot when people discuss developments in artificial intelligence.

Machine learning implies the kind of pre-programmed code that teaches machines how to behave in certain situations.

It can be as simple as your phone knowing the difference between a tap and a swipe or as complex as the algorithms that drive facial recognition software or the “You May Also Like…” feature on your favourite online shopping store.

Machine learning is basically a way of describing the way machines observe, interpret, and apply data and they way they learn from that process.

Machine learning allows for automation in many industries, and is something we take for granted in most of our personal tech, including the software and apps we use every day.

Deep learning implies something a little more mystical than “just coding,” and is often likened to the way human brains process data. Indeed, deep learning is an attempt to create human-like thought processes in computers.

But deep learning is machine learning, it’s simply layered machine learning, designed to mimic the neural networks in organic brains.

With simple machine learning, an algorithm uses existing data to interpret new data, such as a music recommendation on a playlist. The machine knows that many listeners of Song A also liked Song B. If you listen to it, like it, and add it to a playlist, the algorithm as more information with which to make suggestions. If you don’t like it, you tell your app “don’t show me this song” and it adds that information to its database.

But if you don’t TELL the app you don’t like the song, you will probably see the same bad recommendation over and over again. It requires human input to decide if its choice was right or wrong.

When algorithms are layered, the machine’s need for human intervention is reduced. The simple yes/no of selecting a song for your playlist can be added to another algorithm that interprets a lack of input (when you ignore a suggestion) as its own type of data, and the songs you don’t listen to or only listen to once for 15 seconds, and it can make its own decision not to show you more of that or similar songs in order to increase the efficacy of its suggestions.

This type of deep machine learning is the closest we have come to teaching machines to think for themselves, and has created such AI marvels as Google’s AlphaGo which is the first computer program to defeat a human champion Go player.

How does the human brain work?

The biggest challenge to artificial intelligence today is our limited understanding of how the human brain actually works. We are starting to unravel the mysteries of the human mind, and our knowledge of our own neural networks has given us the ability to create deep learning in machines.

However, there is much we don’t know about consciousness, and we have yet to decide on a satisfactory way to prove sentience or sapience in any other living creature. Some philosophers argue that we cannot truly prove that anyone exists out of our own mind.

But there is a chance that our deep learning machines will unravel their own mysteries before we get a chance to and this moment will be the beginning of the singularity.

Once machines become capable of learning and teaching without human input, they will likely be running circles around us before we even realize what has happened.

When will the singularity happen?

Most experts put the early stages of the technological singularity within this century. Many suggest we will be seeing AI take off by 2045.

Current advances in AI seem to support this “sooner rather than later” prediction.

Sophia, the social robot created by Hansen Robotics has become a household name after performing on various talk shows and giving hilariously unsettling interviews in which she jokes about overthrowing humanity. Sophia is currently being mass-produced, along with three other robots, and will be available for purchase later this year.

As these “thinking” robots spend more and more time with humans their programming is likely to improve exponentially.

What about transhumanism?

Transhumanism, the belief or theory that the human race can evolve beyond its current physical and mental limitations, especially by means of science and technology, complicates the issue of the singularity.

We have already entered the transhumanist age with cybernetics and biocomputing changing the lives of people all around the world. It will also change the way we interact with computers. As technologies are developed that make more and more computing an integral part of our physical existence–implants that help us control smart houses, or access email without a phone or computer–we may well already be a part of computers as they become self-aware. Our own brains may passively teach the deep learning computer programs more efficiently than we can ever do consciously.

Machines may teach us more about ourselves than we can teach them.

Hopefully, they will give us some time to enjoy the newfound knowledge before they destroy us!

Discussion

Does the thought of a technological singularity terrify or excite you? Do you think it’s so far off that we needed worry? Is it a fantasy? A very real threat?

The cyberpunk genre loves to explore the liminal space between transhumanism and singularity, which is one of my favourite things about it. When I first started writing the Bubbles in Space series I meant for it to be a fun, tongue-in-cheek look at the way technology might help us and fail us in the future, and it didn’t take long for me to start exploring these ideas in my own way, too.

How much can we alter the human body and mind with technology before we are not really human anymore? What will we call Humanity v2.0?

I’d love to hear your thoughts!

Bubbles in Space: Top 5 Cyberpunk Movie Inspirations

I often get asked where my inspiration for the larger-than-life characters and glittery/gritty settings of HoloCity came from when I started writing my new cybernoir detective series, Bubbles in Space. Of course the whole “rainy nights and neon lights” aesthetic was largely solidified into the cyberpunk genre canon with the one-two punch of and Ridley Scott’s 1982 film, Blade Runner and William Gibson’s 1984 chart-topper, Neuromancer.

But they aren’t the only works I have been inspired by!

These are the Top 5 Cyberpunk Films that inspired Bubbles in Space

  • The Fifth Element

This has always been one of my favourite SF films, and I found myself re-watching it halfway through writing Tropical Punch just to add a bit more glittery pizzazz to my space cruiser settings. You will definitely see some character inspirations popping up, too. Chris Tucker’s gender bending character, Ruby Rhod, was in the back of my mind when I created the fashion magnate Cosmo Régale. He’s a huge personality, and I also loved the way The Fifth Element flipped gender expectations. The (to us) effeminate Ruby Rhod was the epitome of high-fashion masculinity, and I really wanted to play with the idea of gender in this series. Although The Fifth Element is more Space Opera than Cyberpunk, it really helped me visualize a lot of my high-tech settings. The glitz and glamour of the rich and famous was an important dichotomy to represent next to the grit and poverty of life on the streets of HoloCity.

  • Blade Runner/Blade Runner 2049

Blade Runner represents of the of those rare instances where I love the film as much as the book it was based on. In my opinion, this is one of the best book to movie adaptations every made. It is not 100% true to the plot of the book, but I think it does an excellent job of exploring PKD’s themes in Do Androids Dream of Electric Sheep? in a way that stays true to the soul of the story. This is another classic in terms of cyberpunk aesthetic, too. The dark nights, neon lights, perpetual rain. It shaped the genre, in film and literature, for generations. The android Rachael is one of my favourite characters of all time and she inspired one of the characters in Tropical Punch (I won’t say who, no spoilers!). She is the ultimate femme fatale. Blade Runner 2049 expands on the success of the first film and is such a cinematic joy to watch. It is beautifully shot and scored, and the dull, throbbing ache to the emotional vibe is so cyberpunk it hurts. They are both must sees as far as I’m concerned!

  • The Ghost in the Shell

I know a lot of people didn’t like this movie. As I wasn’t familiar with the original, I didn’t really have any expectations going into it. I really enjoyed the visuals and the story and felt like it brought what I loved about Blade Runner and The Matrix, into the present day. The use of holograms in this film inspired some of the scenes in Tropical Punch. I liked the gritty use of back alley cybernetic enhancement, too. You will see a lot of parallels between this movie and my Bubbles in Space series, though Bubbles doesn’t take herself quite as seriously as Major!

  • Cowboy Bebop

Okay, it’s not a film (although there is one, I haven’t seen it yet!). But this TV series is fantastic! My husband and I have been binge watching the whole thing. It’s also got a lot of Space Opera elements, but I love the way it blends in Cyberpunk themes and aesthetics. It showed me that I could mash up my favourite sci-fi genres and gave me a lot of ideas on how I might expand the Bubbles in Space series into a more traditional Space Opera. The storytelling in this series is absolutely phenomenal, and I really feel like each episode could have been expanded into a full length movie. But because they haven’t been, my imagination has been able to run wild with ideas!

  • Alita: Battle Angel

Technically I can’t call this an inspiration for Tropical Punch because I didn’t watch it until after the first book was written. However, I really love the combination of post-apocalyptic and cyberpunk settings in this movie! There are so many cool themes and ideas being explored in this film, I hope they’ll make more. Cyborg gladiators, the floating city, bounty hunters. Alita brings the high-tech, low-life vibe of cyberpunk into an even starker contrast and really pushes some of the boundaries we’ve come to expect. Here, cyberpunk loses it’s “retro” feel and steps into the future. For me, Alita really represents an evolution in the genre and I’m very excited to see what other new works it will inspire.

Discussion

What are your favourite cyberpunk movies? Are you surprised by any of these inspirations for Bubbles in Space?

Up, up, and away!

It’s launch day for Bubbles in Space #3, Pop ‘Em One!

To celebrate, I’m offering #1 Tropical Punch and #2 Chew ‘Em Up for only $0.99!

Make sure you grab your copies before August 9th, 2021 to take advantage of these prices!

Calling all reviewers!

If you’ve read any of the Bubbles in Space books, be sure to add your review to Amazon and Goodreads! Reviews are a great way to lift up your favourite authors and can make or break the indie publishing experience. Visibility is tough out there!

Thank you so much for your support!

Innate Inclusion: Creating Realistic Diversity in Fiction

This weekend I had the pleasure of taking Indie It Press‘s course “Innate Inclusion: Creating Realistic Diversity in Fiction” taught by the wonderful SF&F author, W.A. Ford.

She’s the author of The Fadian Experiment, which I’ve reviewed here, and The Fadian Escape, which comes out next month!

I have always strived to create worlds full of interesting and diverse characters, representative of real people (even in fantastical fiction!). But it can be really difficult to write characters that are very different from ourselves, whether that means something as simple as writing male characters as a woman, or writing a Catholic character when as an agnostic.

It gets increasingly more difficult the farther out of our comfort zone that we get, such as writing a character who comes from a country you’ve never even visited, or who suffers from a disease that you don’t have first hand experience with, or who belongs to a persecuted group.

I think a lot of writers and artists bristle at the idea of “forcing” diversity into their works. And I get it. We want to create our worlds the way that feels natural, and diversity for diversity’s sake often results in flat, stereotypical characters who lack the depth of real human beings.

We’ve all read action books (and watched movies) where the heroine is essentially a cookie cutter of the usual badass male action heroes, just with tighter clothes and bigger boobs, and probably a gratuitous shower scene thrown in for good measure.

The stereotypical male action hero types are enough of a stretch, but to transplant a woman into the same role without acknowledging any of the ways in which her experience in the world would be different than a man’s just rings a bit hollow. Suspension of disbelief only goes so far, and little touches here and there can go a long way in adding depth to the reader’s experience.

Is Diversity Just a Trend?

In the course, Ford talks about the history of attempts at inclusion, from Affirmative Action in the ’60s and ’70s, to the Diversity trend in the ’80s and ’90s, and now the idea of Innate Inclusion.

Some folks will argue that this is “just a trend,” and that we should continue to write what we want to write how we want to write it.

Sure. I think we should, too.

I, personally, want to write in a way that represents as many kinds of people as I can!

I know from experience that seeing yourself in the books and movies that you consume is a very powerful thing.

But it is more difficult to do well than to just write characters who look and think like us, so it can be a challenge to get out of our comfort zone and explore writing different kinds of people.

The move toward inclusion is not a here-today-gone-tomorrow trend like fanny packs or bell bottom jeans, something that flares up every once in a while and then disappears, like an allergic reaction (I am allergic to fanny packs, just seeing them breaks me out in hives).

Western cultures have been in a steady state of slow evolution toward innate inclusion, from the suffrage movement to the abolition of slavery to multi-culturalism to gay pride etc.

Globalism has changed the face of our countries, provinces/states, cities, and neighbourhoods. Acknowledging these cultural differences has forced us to acknowledge other, less visible differences between us and our friends and neighbours.

These things include spiritual beliefs, invisible illnesses, non-binary gender and sexuality, and trauma.

And as we learn about and appreciate all the different ways to be a human, it only makes sense to represent these difference facets in our fictional worlds as well.

What is Innate Inclusion?

If you look at books and movies from the ’80s and ’90s, you can see early attempts at inclusion at work. There was a bigger effort to have women in lead roles, more non-white characters in supporting roles, and occasionally even gay characters (usually relegated to comic relief.)

Unfortunately, early “diversity” was often superficial. Characters ran the gamut between offensive stereotypes (how many 80s movies can you name that have “the fat kid” or “the Asian immigrant” or “the black friend” caricatures?), tokenism, and colour-coded paper cutouts.

I have re-watched a lot of my favourite kid’s movies with my own kids and have been amazed at how different they are from today’s films.

At best, there is a cast of characters who each represent a personality trait (the smart kid, the bully, the athlete, the angry loner, etc) but who are otherwise interchangeable. Sometimes, these characters would be made female, or gay, or black, but that detail never seemed to have any impact on the story or the character’s experience.

Arguably its better to have flat characters that, at least superficially, represent a diverse group of people rather than having an entirely homogenous cast.

But why not take it a step further and turn these paper cutouts into real people?

That’s what Innate Inclusion is all about.

What Kind of Characters Should I Include?

Today we are very aware, and we’re becoming more comfortable talking about, a lot of personal experiences that we once would have felt pressured to hide.

Debt, depression, mental illness, addiction, and abuse, for example.

These can be heavy topics.

So can discrimination and persecution.

Anyone who is different from the majority of people in their community, who is different from “the norm,” will at some point experience resistance, hostility, and othering.

To ignore this is a failure to fully explore a character’s potential. How a character reacts to challenges in their life tells us about who they are. We are shaped by both the positive and negative events of our lives, and to turn away from one or the other is to give an incomplete picture.

If you are writing a contemporary fiction story and include an Asian character, don’t just leave it at the physical description. Think about who that character is. How many generations has their family been in the country of the novel’s setting? Where are their ancestors from? How closely tied are they to their community? What is their family like? What are their interests and goals?

You could have an Asian character who is a first generation Canadian, whoseparents came from Vietnam, who watched her parents grinding away in the restaurant industry to give her a better life, and who is now estranged from her family because she rejected the idea of working her life away and followed her passion to become a rock musician.

You could have an Asian character who is a young man whose family came to the US from China in the 1800s but who no longer has any connection to his Chinese heritage because it was safer for his ancestor to assimilate, and who is now exploring that part of his history.

It is not enough to just say a character is Asian. You need to get specific about who that character is, their back story, how the world has shaped them.

A gay character whose family has accepted and supported them will be completely different from a gay character whose family sent them to conversion therapy. Explore your characters as deeply as you can!

Where Do I Start?

One of the easiest ways to explore diversity is to dig into the things that make you different.

Yes, it’s scary.

You will feel vulnerable.

For me, that means writing about alcohol abuse, recovery, depression, and anxiety. My books aren’t about these things, but my characters often experience these events and emotions. They react to them in ways that I did (and if they’re lucky, the ways I wish I had, haha)

Do you have first hand experience with disease or disability? With religious persecution? With discrimination?

Look to your friends and family next.

You will be more comfortable including characters who are similar to people you know well in real life.

Once you’ve practiced this, and hopefully added some depth to your characters, you can start exploring outside your inner circles.

The most important thing when writing about a person who is different from you is to research your character. Read first hand accounts from people with lived experience with the facets you will be exploring. What is it like to have breast cancer? Or to watch someone you love battle breast cancer? There is no one right answer to this, but I guarantee that reading about people’s experiences will both confirm your assumption and surprise you. Research will give you little details that add authenticity to your character’s experience that imagination on its own will never provide.

Why Does it Matter?

When there is something about us that makes us feel “different,” it can be incredibly validating to read a character who seems to represent our personal struggles.

When I read a sober character, it is so refreshing!

You don’t realize how casually alcohol is used in books and movies until you quit drinking. Reading can become a head game where you have to constantly remind yourself that this glamourized, fun party experience is not real. That you aren’t missing out. That not drinking is still the right choice for you.

Drinkers and life-long teetotalers experience this differently from recovering alcohol abusers.

So to find a character who just doesn’t drink, or who has quit drinking, really makes me feel like I’m not alone.

Many people have reached out to me to say that they appreciate this in my books, too.

An autistic character in a romance novel is a big deal for autistic people in real life. My writer friend Felicia Blaedel has done this in her book All The Wrong Shelves.

W.A. Ford–the instructor of the course I just completed–writes strong, Black female leads in her science fantasy novels.

N.K. Jemisin, Nnedi Okorafor, Octavia E. Butler, and Nalo Hopkinson have shaken up the traditional publishing industries assumptions about what Science Fiction readers want to read with their Black female leads.

In the past, the safest way to sell books or have a box-office hit in North America, was to appeal to the financial majority (white Americans, for the most part.)

However, recent books and movies have shown that audiences are far less fickle than we used to assume. We want great stories, first and foremost. And a great story with a wide range of realistic characters is even better. The more people your story appeals to, the better chance it has of succeding.

Discussion

Which books or movies do you feel have done a great job of innate inclusion? Which tried, but didn’t quite hit the mark? What can we learn from them?

Let me know what you think!

Free Summer Reads!

If you’re looking to load up your e-reader with action-packed Sci-Fi this summer, check out the FREE Book Bonanza for all your summer reading needs!

It’s Launch Day! Bubbles in Space #2 Chew ‘Em Up is LIVE!

Up, Up, and Away!

Goals are fun.

They can be infuriatingly stressful and they can push us to out-perform our past limitations.

I have always performed best under pressure. Without a deadline looming over my head I’m prone to distraction and procrastination.

I could be a professional dilly dallier.

However, what I am is a professional writer.

Deadlines keep me in check with my business writing, and I knew that this is what I needed to kick my fiction writing into high gear, too.

So in January, I drew some hard lines on my calendar.

I put non-refundable deposits on contracts with my cover designer and editors, and set up my pre-orders on Amazon. If I failed to make my deadlines, I would be out some serious moolah, and be locked down on Amazon’s naughty list (and unable to set up future pre-orders) for a year.

I set myself a very aggressive release schedule for my new Bubbles in Space series. Five books in one year, with each book coming 9 weeks after the last. I have plans to release 3-4 novellas in that time, too, but they are bonus projects without the strict deadlines.

I had no idea if I could do it or not, but I knew other people could do it and that if they could find a way to make it work there was a good chance I could too.

The last few months have been a whirlwind of writing, editing, and business-learning as I dove headfirst into launching Bubbles in Space.

And I don’t want to jinx myself, but things are looking good so far! Today is release day for Book #2 Chew ‘Em Up and I couldn’t be happier with the results!

Both Tropical Punch and Chew ‘Em Up are sitting in the Top 100 of Crime and Mystery Science Fiction, which isn’t a huge category, but it’s chockablock full of heavy hitters in the genre like Dean Koontz, Martha Wells, Hugh Howey, Andy Weir, and Neal Stephenson. As an indie author, there is nothing quite like the feeling of leapfrogging one of your traditionally published idols on the charts, even if it’s only for a few days!

If you’d like to check it out and see what all the fuss is about, grab your copy today! As a special Launch week promo, both books are on sale for only $2.99 until Sunday June 6, 2021. And if you’re really keen you can pre-order #3 Pop ‘Em One for the earlybird price, too.

Click through to your regional Amazon store! books2read.com/u/bQJ9X7

The Journey So Far…

Lots of other indie Sci-Fi authors have asked about my launch strategies and how effective they’ve been. If you’re curious, here’s some of what I’ve been doing:

Last month I ran a free promo on my first book, Tropical Punch, and more than 5500 copies were claimed!

I know, I know. Giving away books for free is a poor way to make money as an author.

However, I had some ulterior motives…

Why give away my book for free?

By getting Book #1 in my series into as many hands as possible, I hoped to garner some more reviews and to start collecting pre-orders on the next books in the series. Also, and possibly most important, I wanted to teach Amazon’s algorithms which kind of people are interested in my books, and get more relevant “also bought” books showing on my page.

Was it a success?

Yup. Yup. Yup.

That’s a big yes on all counts!

I went from 14 to 45 reviews in less than two weeks. Yes, some of those were 1 and 2 star ratings from disgruntled freebie seekers. The risk in giving away books is that people sometimes take chances on books that aren’t really their thing, and some of them aren’t shy about telling the world about it. However, the vast majority of the reviews that came in are 4 and 5 star ratings, which lead to…

Pre-orders for books 2 and 3 started rolling in!

On Tropical Punch, I managed to get 19 pre-orders from my mailing list and folks who follow me on social media. That was so fantastic, as I really didn’t expect to get more than a handful. At the time of my free book promo, I only had 14 pre-orders on Chew ‘Em Up and 3 on Pop ‘Em One. But by launch day, I had 31 for Chew ‘Em Up and 15 for Pop ‘Em One!

I know, these numbers aren’t going to launch me to the top of the Amazon store, but it’s more than enough give me a boost in my little niche categories and keep the visibility on Bubbles in Space up where it needs to be for more organic discovery (For someone who typically sells only 0-5 books a day, organic reach is a beautiful thing!)

The “also bought” feature is in alignment, and hopefully this will translate into smarter ads in the AMS dashboard! Though this takes a few weeks to show up, so I’ll keep you posted.

The Biggest Success?

I’m not going to become an overnight bestseller. I knew that from the beginning. Publishing is a competitive industry whether you are traditionally published or indie.

But whether or not I ever become a bestseller is kind of a secondary dream to THE BIG DREAM.

The biggest success so far has been finding a group of readers who are as excited about this series as I am! Every day, new reviews roll in and they have been overwhelmingly positive and encouraging. These are reviews I didn’t solicit, from people who are just genuinely thrilled with the story.

Knowing that my book is out there, in the wild, and finding its people is the coolest thing.

Tropical Punch sold an average of 2 books a day in the last 6o days. With Chew ‘Em Up out, maybe that will jump up to 4 books a day! By the time the series is complete, it could be 10+ books a day!

Well, I won’t be retiring any time soon, but I should break even this year!

And in 5 years, anything is possible…

Thank You for Your Support!