Horror Review: “Let’s Play White” by Chesya Burke

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Let’s Play White by Chesya Burke was one of the short horror/dark fantasy collections I grabbed after researching Black Speculative Fiction Month last October.

From the publisher, Apex Book Company:

Let’s Play White by Chesya Burke builds dark fantasy and horror short stories on African and African American history and legend, playing with what it means to be human.

White brings with it dreams of respect, of wealth, of simply being treated as a human being. It’s the one thing Walter will never be. But what if he could play white, the way so many others seem to do? Would it bring him privilege or simply deny the pain? The title story in this collection asks those questions, and then moves on to challenge notions of race, privilege, personal choice, and even life and death with equal vigor.

From the spectrum spanning despair and hope in “What She Saw When They Flew Away” to the stark weave of personal struggles in “Chocolate Park,” Let’s Play White speaks with the voices of the overlooked and unheard. “I Make People Do Bad Things” shines a metaphysical light on Harlem’s most notorious historical madame, and then, with a deft twist into melancholic humor, “Cue: Change” brings a zombie-esque apocalypse, possibly for the betterment of all mankind.

Gritty and sublime, the stories of Let’s Play White feature real people facing the worlds they’re given, bringing out the best and the worst of what it means to be human. If you’re ready to slip into someone else’s skin for a while, then it’s time to come play white.

 

And it is all it is cracked up to be. I enjoyed Let’s Play White so much that I couldn’t put it down, even when I knew it meant I wasn’t going to sleep. None of these stories is scary in a gory or violent kind of way, not really, although there is some of each peppered through the pages. What makes Burke’s collection so frightening is how human it is. The scariest parts of these stories are not the supernatural elements, but the human reactions to the supernatural. If you’ve ever wondered who you can trust in a changing world, the answer in Burke’s world is no one, except yourself, and even then you must be careful.

I’ve been thinking a lot about the nature of horror, and what makes a story scary, ever since I started reading the genre in earnest. And I think there is something about being “The Other” that is terrifying, on an existential level. This is why, I feel, the best horror of our generation is being written by Othered people: women, people of colour, LGBTQ writers, etc. People who write from the fringes of their society (this shifts depending on the society, of course) Burke does a wonderful job of illustrating this kind of fear, what I consider the real horror of the human condition, in her collection of short stories.

All of this comes to a head in the finale story, “The Teachings and Redemption of Ms. Fannie Lou Mason,” the longest in the book, and certainly the most haunting. “The Teachings…” follows the titular character, a Hoo Doo woman who finds her way to Colored Town, Kentucky to save two young girls that might follow in her footsteps. The horror of “modern day” Colored Town in contrast to the Underground Railroad of slavery from a few generations earlier is an excellent reflection on the vulnerability of marginalized people in North America today. And you won’t be able to shake some of these images, I promise you.

Chesya Burke is a writer to follow, not just for the horror/dark fantasy crowds, but for anyone looking to slip into another person’s skin (and for some, to really feel what it is to be The Other) even for a little while. Her characters are deep, true, and wonderfully, unapologetically  human. She’s written some of my favourite women protagonists in a long time. Check her out!

SF Review: “Chinatown” by Chris Reynolds

SF Review: “Chinatown” by Chris Reynolds

Chinatown

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I recently downloaded the entire Monolith catalogue from Crushpop Productions. CPOP is a Los Angeles based indie gaming company that produces tabletop and card games . The Monolith is an indie publishing company that sprang from the CPOP game worlds; it boasts a collection of post-apocalyptic fiction serials and mini-series’ set in the Goremageddon universe, as well as some other unique fiction independent of the CPOP brands. Chinatown by Chris Reynolds is the second series released in this world (sorry, I read them out of order! The first series, Absolute Valentine is next on my list…) I will be reviewing each series and mini-series as I read them, as well as the Monolith debut Ling Ling Conquers GRAXXand I will be doing an interview with Neuicon, the founder and curator of the Monolith catalogue later this month. Yay!

I’ve been meaning to read Chinatown for a long time. I collaborated with author Chris Reynolds on another project and really enjoy his work. You’ll be seeing more from him here once I start posting his “Combat Clinic For Writers” series as well as, hopefully, the release of our co-written novella once we finish that up.

Now, serialized fiction is a thing I’ve become interested in recently, both as something I’d like to try writing and a fun new medium to read in. My tastes in fiction have shifted over the last few years to include a lot more short fiction, flash fiction, novellas, etc. as kids and career obligations have eaten into my precious free time. I even attempted to release my NaNoWriMo progress in a serial style last month (with marginal success). But Chinatown is the first time I’ve ever actually read modern serialized fiction.

I’ve gotta admit, I’m hooked. The episodes are bite-sized enough that you can just read one when you have a spare half-hour or so, and addicting enough that you can binge-read an entire season a sitting or two (kind of like the readers’ equivalent to Netflix). Chinatown is the perfect introduction to the Goremageddon universe, too. It’s a fantastic genre-blending mashup that will appeal to a wide audience, and you don’t have to have a deep understanding of the world to follow the story.

Chinatown is part post-apocalyptic sci-fi thriller and part hard-boiled detective fiction. Episode One introduces us to Slade Tatum, a gritty police detective with the Chinatown Free Citizens Police Department, in a post-apocalyptic Los Angeles safe-zone. The first season follows Tatum as he begins what appears to be an unusually straight-forward missing persons case, and ends up being the most dangerous assignment of his career.

The world that Tatum lives and works in is familiar, but the PA twist will keep you guessing. There are cyborgs, high-tech weapons, complex political machinations, explosions and firefights–not to mention the pithy dialogue and bad-ass characters you’d expect from post-apocalyptic ds320237970922626399_p79_i3_w640etective story–to keep you clicking your way through to the end.

But the best part is, it doesn’t end. Not yet! There are 13 episodes in season 1 so far, plus a bonus story in the Monolith’s annual Halloween release Corrogatio III (which is free! Download it here).  So treat yourself to a new writer, a new genre, a new medium, a new world. Give Chinatown a try!

NYC Midnight Flash Fiction Challenge 2017

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One of the things I’ve always been leery of as a writer are paid writing competitions. It is hard to find competitions that are vetted by professionals and which offer something in return beyond “a chance” to win–whatever the actual prize may be, recognition, cash, publication. The return I’m talking about is that elusive and invaluable thing writers around the world are desperately seeking: FEEDBACK.

When I first heard about the NYC Midnight Challenges, I was curious. The set up appeals to me, for sure. You receive your assignment and then have 48 hours to complete it, eliminating the sense I always have that to enter a competition you must slave over a piece for weeks or months, hire a professional editor, and finally submit your 50th draft. Hey, if it costs $50 to enter, you want to make sure you’re putting your best foot forward, right?

The appeal of the limited time-frame for the NYC Challenges is that everyone has the same amount of time, limited ability to get outside help, and that you never know what you are going to have to write when you sign up. This evens the playing field, and also presents a different set of challenges from many competitions. Great. But what is even better is the guarantee that everyone will sit at least two challenges (in the Flash Fiction competition, other challenges have different structures) and that you will receive positive and constructive feedback on every round you complete.

So I took the plunge this year. My first ever paid writing competition. How did I do? Well, I’ll let you know when I finish. But I’m thrilled to announce that I have made it to Round 3 after placing first and third, respectively, in my group for the first two challenges. There were nearly 2500 participants for the Flash Fiction challenge this year, which is huge! Rounds 1 and 2 participants competed against 31 other people, each group received an assignment of Genre-Location-Object.

The scores from Rounds 1 and 2 were combined, and the top five participants from each group have moved on to Round 3. We have been assigned new, smaller groups (about 25 each, by my calculations) and each group has a new Genre-Location-Object assignment. Once we finish (yes, I’m supposed to be writing right now) and the results are in, the top four scoring participants from each group will move on to the 4th and final round. Yes, there are cash prizes for the top three in the final round. But by this point I will have completed at least three rounds, with three sets of feedback, and even if I don’t make it to the next round, I feel I’ve gotten my money’s worth. And I would have felt that way after the feedback on Rounds 1 and 2, too. Round 3 is a wonderful bonus!

***Note***
I originally published my stories with judges feedback, however I have removed these pieces so that I can rework them and submit to magazines and journals. Apparently they don’t like to pay for things that are available for free elsewhere on the internet, even if it’s an early draft.

The TBR Pile: Black Speculative Fiction Month Edition

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The month is almost over, and I’m just getting back into this whole blogging thing. But I just found out that October is Black Speculative Fiction Month! So, I will be dedicating the rest of my posts this month to black SF writers/creators and books with black protagonists. For now, I’d like to drop some links for further reading while I catch up on all the stuff that’s been going on this month!

Chronicles of Harriet has a great explanation of what BSFM is all about, plus a reading list that will keep you busy until next October!

Troy L. Wiggins has a post on “Six Essential Fantasy and Science Fiction Books Written by Black Authors” which features two of my favourite SF writers of all time: Octavia E. Butler (If you haven’t read Lilith’s Brood yet, you absolutely must!) and N.K. Jemisin (I wrote about Jemisin’s Hundred Thousand Kingdoms HERE)

NPR has an excellent article on the importance of Black SF by author by Alaya Dawn Johnson that is full of industry insights and reading recommendations, “Black Sci-Fi Writers Look to the Future.”

And Grey Dog Tales will tell you why you should care about Black Speculative Fiction Month, “even if you’re as white as a recently-scrubbed albino sheep in a Yorkshire snowdrift.” This article is thought provoking and full of suggestions for further reading—blogs, articles, and recommendations abound!

Or if you just want to check out some new books, here are some that I’ve read or have in my TBR pile. Let’s celebrate BSFM with new books to read! Ask your local bookstore to stock these authors, make a request at your library, buy your own copy, write a review, dive in and ENJOY!

41tfeLyYimLDhalgren by Samuel R. Delany:

Nebula Award Finalist: Reality has come unglued and a mad civilization takes root in Bellona, in this science fiction classic.

A young half–Native American known as the Kid has hitchhiked from Mexico to the midwestern city Bellona—only something is wrong there . . . In Bellona, the shattered city, a nameless cataclysm has left reality unhinged. Into this desperate metropolis steps the Kid, his fist wrapped in razor-sharp knives, to write, to love, to wound.

So begins Dhalgren, Samuel R. Delany’s masterwork, which in 1975 opened a new door for what science fiction could mean. A labyrinth of a novel, it raises questions about race, sexuality, identity, and art, but gives no easy answers, in a city that reshapes itself with each step you take . . .

This ebook features an illustrated biography of Samuel R. Delany including rare images from his early career.

61PCeRgmQAL._SY346_The Inheritance Trilogy by N.K Jemisin:

A REALM OF GODS AND MORTALS.

Yeine Darr is an outcast from the barbarian north. But when her mother dies under mysterious circumstances, she is summoned to the majestic city of Sky. There, to her shock, Yeine is named an heiress to the king. But the throne of the Hundred Thousand Kingdoms is not easily won, and Yeine is thrust into a vicious power struggle.

51ucq60C9zL.jpgLilith’s Brood by Octavia E. Butler: Three novels in one volume: the acclaimed science fiction trilogy about an alien species that could save humanity after nuclear apocalypse—or destroy it.

The newest stage in human evolution begins in outer space. Survivors of a cataclysmic nuclear war awake to find themselves being studied by the Oankali, tentacle-covered galactic travelers whose benevolent appearance hides their surprising plan for the future of mankind. The Oankali arrive not just to save humanity, but to bond with it—crossbreeding to form a hybrid species that can survive in the place of its human forebears, who were so intent on self-destruction. Some people resist, forming pocket communities of purebred rebellion, but many realize they have no choice. The human species inevitably expands into something stranger, stronger, and undeniably alien.

From Hugo and Nebula award–winning author Octavia Butler,Lilith’s Brood is both a thrilling, epic adventure of man’s struggle to survive after Earth’s destruction, and a provocative meditation on what it means to be human.

51maU6K7HAL._SY346_.jpgWill Do Magic for Small Change By Andrea Hairston:

Cinnamon Jones dreams of stepping on stage and acting her heart out like her famous grandparents, Redwood and Wildfire. But at 5’10’’ and 180 pounds, she’s theatrically challenged. Her family life is a tangle of mystery and deadly secrets, and nobody is telling Cinnamon the whole truth. Before her older brother died, he gave Cinnamon The Chronicles of the Great Wanderer, a tale of a Dahomean warrior woman and an alien from another dimension who perform in Paris and at the 1893 Chicago World’s Fair. The Chronicles may be magic or alien science, but the story is definitely connected to Cinnamon’s family secrets. When an act of violence wounds her family, Cinnamon and her theatre squad determine to solve the mysteries and bring her worlds together.

41Ybzx4ZG9L.jpgDark Matter: A Century of Speculative Fiction from the African Diaspora edited by Sheree R. Thomas:

This volume introduces black science fiction, fantasy, and speculative fiction writers to the generations of readers who have not had the chance to explore the scope and diversity among African-American writers.

51Uy-XHYgiLElysium by Jennifer Marie Brissett:

Received the 2014 Philip K. Dick Award Special Citation
A Finalist for the 2015 Locus Award for Best First Novel

A computer program etched into the atmosphere has a story to tell, the story of two people, of a city lost to chaos, of survival and love. The program’s data, however, has been corrupted. As the novel’s characters struggle to survive apocalypse, they are sustained and challenged by the demands of love in a shattered world both haunted and dangerous.

61y7w-c2dFL.jpgThe Alchemists of Kush By Minister Faust:

Two Sudanese “lost boys.” Both fathers murdered during civil war. Both mothers forced into exile where the only law was violence. To survive, the boys became ruthless loners and child soldiers, until they found mystic mentors who transformed them into their true destinies.

One: known to the streets as the Supreme Raptor; the other: known to the Greeks as Horus, son of Osiris. Separated by seven thousand years, and yet connected by immortal truth.

Born in fire. Baptized in blood. Brutalized by the wicked. Sworn to transform the world and themselves. They are the Alchemists of Kush.

41eUhJG7m5L._SY346_Who Fears Death by Nnedi Okorafor:

In a post-apocalyptic Africa, the world has changed in many ways; yet in one region genocide between tribes still bloodies the land. A woman who has survived the annihilation of her village and a terrible rape by an enemy general wanders into the desert, hoping to die. Instead, she gives birth to an angry baby girl with hair and skin the color of sand. Gripped by the certainty that her daughter is different—special—she names her Onyesonwu, which means “Who fears death?” in an ancient language.

It doesn’t take long for Onye to understand that she is physically and socially marked by the circumstances of her conception. She is Ewu—a child of rape who is expected to live a life of violence, a half-breed rejected by her community. But Onye is not the average Ewu. Even as a child, she manifests the beginnings of a remarkable and unique magic. As she grows, so do her abilities, and during an inadvertent visit to the spirit realm, she learns something terrifying: someone powerful is trying to kill her.

Desperate to elude her would-be murderer and to understand her own nature, she embarks on a journey in which she grapples with nature, tradition, history, true love, and the spiritual mysteries of her culture, and ultimately learns why she was given the name she bears: Who Fears Death.

41tWRPpGRgL._SX331_BO1,204,203,200_.jpgCrystal Rain By Tobias S. Buckell

The is much-anticipated debut novel by Tobias S. Buckell, one of science fiction’s newest and most promising talents.

Long ago, so the stories say, the old-fathers came to Nanagada through a worm’s hole in the sky. Looking for a new world to call their own, they brought with them a rich mélange of cultures, religions, and dialects from a far-off planet called Earth. Mighty were the old-fathers, with the power to shape the world to their liking—but that was many generations ago, and what was once known has long been lost. Steamboats and gas-filled blimps now traverse the planet, where people once looked up to see great silver cities in the sky.

Like his world, John deBrun has forgotten more than he remembers. Twenty-seven years ago, he washed up onto the shore of Nanagada with no memory of his past. Although he has made a new life for himself among the peaceful islanders, his soul remains haunted by unanswered questions about his own identity.

These mysteries take on new urgency when the fearsome Azteca storm over the Wicked High Mountains in search of fresh blood and hearts to feed their cruel, inhuman gods. Nanagada’s only hope lies in a mythical artifact, the Ma Wi Jung, said to be hidden somewhere in the frozen north. And only John deBrun knows the device’s secrets, even if he can’t remember why or how!

51SpLP8SExL.jpgBrown Girl in the Ring by Nalo Hopkinson The rich and privileged have fled the city, barricaded it behind roadblocks, and left it to crumble. The inner city has had to rediscover old ways–farming, barter, herb lore. But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, and the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends.

41w7GPKYewLFlygirl By Sherri L. Smith

Ida Mae Jones dreams of flight. Her daddy was a pilot and being black didn’t stop him from fulfilling his dreams. But her daddy’s gone now, and being a woman, and being black, are two strikes against her.

When America enters the war with Germany and Japan, the Army creates the WASP, the Women’s Airforce Service Pilots—and Ida suddenly sees a way to fly as well as do something significant to help her brother stationed in the Pacific. But even the WASP won’t accept her as a black woman, forcing Ida Mae to make a difficult choice of “passing,” of pretending to be white to be accepted into the program. Hiding one’s racial heritage, denying one’s family, denying one’s self is a heavy burden. And while Ida Mae chases her dream, she must also decide who it is she really wants to be.

51V7WWg9EzL._SY346_.jpgLove is the Drug by Alaya Dawn Johnson

A heart-stopping story of love, death, technology, and art set amid the tropics of a futuristic Brazil.

The lush city of Palmares Tres shimmers with tech and tradition, with screaming gossip casters and practiced politicians. In the midst of this vibrant metropolis, June Costa creates art that’s sure to make her legendary. But her dreams of fame become something more when she meets Enki, the bold new Summer King. The whole city falls in love with him (including June’s best friend, Gil). But June sees more to Enki than amber eyes and a lethal samba. She sees a fellow artist.

Together, June and Enki will stage explosive, dramatic projects that Palmares Tres will never forget. They will add fuel to a growing rebellion against the government’s strict limits on new tech. And June will fall deeply, unfortunately in love with Enki. Because like all Summer Kings before him, Enki is destined to die.

Pulsing with the beat of futuristic Brazil, burning with the passions of its characters, and overflowing with ideas, this fiery novel will leave you eager for more from Alaya Dawn Johnson.

Amateurs Unite! A Call to Action

 

 

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You can find me on instagram, too @sarahdoesscifi

I just read Austin Kleon’s Show Your Work: 10 Ways to Share your Creativity and Get Discovered after a wonderful friend shipped me her copy, complete with underlines and notes (which makes it even better!). I devoured it. In one sitting, just a couple of hours, I read it all. And ya, I’m going to be talking about this for a while.

I haven’t read Kleon’s Steal Like an Artist yet, but I’ve heard tons of great things about it and its definitely on my list now. To call this a timely read would be a massive understatement. I feel like Show Your Work has just solidified a bunch of little inklings and nudges and feelings I’ve been having about my career as a writer. I think now I get what I’m supposed to be doing.

Not surprisingly, that thing I’m supposed to be doing is literally showing my work. I need to be sharing my process with you, for the mutual benefit of us all.

I’m a natural collaborator. There is nothing I love more than sitting down with other like-minded people and hashing out ideas, asking and answering thoughtful questions, and being inspired by my friends and peers to create MORE and to create BETTER.

Yet, somewhere along the line, I bought into the idea that being a writer is a solitary endeavour. That in order to create I must isolate myself from the world, poke at my demons, and the struggle silently until I have a piece of literary genius that is ready to share with the world. I have been stingy with who I submit my work to, who I ask for feedback from, who I let behind the veil. And I’ve suffered for it.

My blog has suffered. I have believed I need to be some kind of expert in order to have anything of interest to say. Even when I was shared some of my publishing journey with you all, it was with the nagging feeling that someone out there was surely doing it better and that my contributions were pointless. And so a started and faltered, over and over.

My writing has suffered. My finished products have been waiting for “acceptance” to be seen, and my unfinished products were lingering in limbo somewhere because I’ve hit a wall I just can’t get over by myself.

My audience has suffered. Because while I’m sitting here waiting for everything to perfect, you are left with nothing but the occasional assurance on my half-assed blog that I am, indeed, still writing.

Worse, I’ve snubbed myself into a corner. I was terrified to share on new sites, or jump into unknown projects, and work with other nobodies. In my addled mind, I believed that I should only associate with people who were where I wanted to be, rather than where I was, in order to climb up in this industry.

NO MORE!

I’m going to embrace being an amateur. At some point we have come to believe that an amateur is someone who is less skilled than a professional. The word is spat at wannabes and shouldabeens in derisive tones. In reality, the word means “lover.” An amateur is someone who does something purely for the love of it. They may get paid, and they may not. But they will do it anyway. I encourage all of you to find something you love and wholeheartedly become an AMATEUR!

Enough of us enthusiastic nobodies, together, make a “Scenius.”

This is a term Kleon uses (coined by musician Brian Eno) in Show Your Work. “Under this model,” Kleon says, “great ideas are often birthed by a group of creative individuals—artists, curators, thinkers, theorists, and other tastemakes—who make up and “ecology of talent.”” (Kleon, Show Your Work, p10-11)

I wrote a short post the other day called “Moving Forward, Together.” It was actually just before I read Show Your Work but it is indicative of the way I was leaning already. I want Sarah Does Sci-Fi to be a collaborative effort. I’ve met so many wonderful writers and artists and enthusiasts in my publishing journey, and I want to share this space with you.

I’m going to keep showing my work, and I’d love it if I could show yours too.

 

How can you share? Drop a link in the comments, send me a message or an email. Tell me what you love and show me what you’re doing about it!

 

Amateurs Unite!

Moving Forward, Together

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So, I know you’re a just about as tired of my bi-annual “sorry I haven’t posted in a while” posts as I am. But I am sorry, and I am trying to figure out how I can make this better for you and for me.

I’m thinking that I’d like to split my posts between three topics I enjoy:

  1. Writing Craft – posts about how to improve your writing, posts about people who write well (and why) etc.
  2. Broadening Horizons – focusing on marginalized writers or characters through book recommendations, reviews, and literary analysis, especially regarding Sci-Fi and speculative fiction
  3. Flash Fiction spotlights – sharing my own and other’s flash fiction pieces (under 1500 words) to get people reading and share new writers with all of you

These regular topics will be peppered with posts on my personal publishing journey, hopefully with some insight that will help those of you who are hoping to embark on a similar path.

So. I will be working on a series of posts of my own that fit within this framework. But I will also be seeking guest posts from book reviewers, authors, enthusiasts, and critics from all stages in their career. If you have something you’d like to share with “Sarah Does Sci-Fi” please do (you can comment here, message me on FB, or email me at scj3ns3n@gmail.com)

I’d like this page to operate as a cooperative of writers moreso than just a space for my own thoughts. Please don’t hesitate to suggest post ideas, too, even if you don’t feel qualified to write them! What do you want to see in this space?

 

Woo hoo!: The Timekeepers’ War Update

Finally!

Just a quick update to let you know that the documents I needed to sign for the release of The Timekeepers’ War have finally arrived. Apparently it takes five weeks to get USPS priority mail across the border into Canada… Who knew?

Anyway, now that we’ve got that out of the way I can mail everything to the printer and we can get this show back on the road. Hopefully five weeks isn’t a typical delivery time… But the good news is now that this is out of the way, your limited edition hardcover copies will be signed and numbered! Contact me if you’re interested in purchasing one, as the limited editions will not be available online (as far as I know).

I will keep you posted once the printers actually have everything in hand and we have a new official release scheduled. Thanks for reading!

The Edits Continue

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Editing. I think I’m actually starting to enjoy the process. Although, by the time The Timekeepers’ War is actually released, I’m going to be so sick of it that I will never actually read the final version cover to cover. Well, maybe in a few years. You guys will have to do it for me. And please don’t tell me if you find any errors at this point, because I may do something drastic!

No, I’m not at that point yet.

But I’m continually amazed at how much a manuscript can change and still come out essentially the same story. It is incredible. I barely recognize my first draft anymore. Who is this flighty, overly descriptive show off? It’s embarrassing! At least no one else will have to read that version every again. Unless I post some before and after paragraphs…

The last time I wrote about editing (read the post here) I explained how I had received a sample of the kind of revisions I will be going through with my editor. Having already gone through the process once before (read about that experience here) I expected that this would be a fairly superficial once-over to make sure there were no hidden typos or formatting errors.

Ha! That was just my conceited writer’s brain talking. I don’t know about you, but when my writer’s brain is not telling me how terrible I am and that I will never make it, it’s telling me I’m amazing and can basically sit on my behind and wait for the accolades to come pouring in. It’s a little bi-polar.

Here’s the thing. No matter how many times you edit something, there is more to fix. Always. Part of that is because everyone’s style is different; some people prefer brevity and some detail, some focus on pace and others on world-building. The important thing about working with an editor is to make sure you both have a similar vision for what the end product will look like. Because you can edit a manuscript back and forth indefinitely if you are not working towards a common goal.

Luckily, my editor and I are on the same page. And that she has a much better idea of how to achieve this end goal than I (apparently) do. Amy, my editor, will be going through my manuscript in detail–just like she did with the first three chapters. But first, she had a little project for me…

She did a search for some commonly over-used words. These culprits are (in my case) “then,” “just,” “look,” and “but.” She asked me to go through my manuscript using the Find feature in Microsoft Word, and to look at every instance in which I had used one of these words (which means going through my MS four separate times, focusing on one word at a time) and to delete them when they were unnecessary, and to rework sentences to avoid them when possible.

Not that you should never use them, but I was grossly overusing them. I used the word “then” over 1500 times in a 130,000 word novel. The word “but” was used over 900 times (this number is somewhat inflated, because the count includes words that contain the letters but, like “button” or “butter,” neither of which are words every used in my novel… so I’m not sure why those are my examples, but you get the point). “Look” in it’s various forms (including “looked” and “looking,” etc.) was used over 500 times. And “just” was used about 250 times. And I never noticed, and none of my beta-readers ever noticed. But once she pointed it out it was impossible to ignore.

The thing about these words is that they are largely unnecessary, particularly “then” and “just.” I was able to get my count of “then” down to only 66 legitimate usages. From 1500. That is ridiculous.

The other trims weren’t quite as drastic, but I cut my usage of “look” and “just” by better than half. “Look” now comes in at 216 and “just” at 126. So the fast majority of “then” and “just” I was simply able to delete and the the sentence didn’t miss them. It’s basically the difference between “Then I opened the door” and “I opened the door” or “Just wait a minute!” and “Wait a minute!” These are simplified sentences, obviously, but the idea is the same. I cut every instance of “then” where the sequence of events was not critical, and in most of the places it cropped up in conversations. “Just” usually came up in conversations as well, because we use it often when we speak. But when we are reading a conversation, it usually isn’t necessary to the context.

“Look” I did not often eliminate, but I replaced with synonyms. Look is a very bland, undescriptive word. “I looked at him” does not have the same weight as “I glared at him.” And there are a lot of different ways to “look”: you can glance, peek, peer, glower, regard, survey, scan, etc. I tried to use more appropriate synonyms, which then allowed me to delete qualifying sentences that followed the “look.” There are also the other kinds of looks: expression, mien, air, etc. which I replaced. Not all of them, because sometimes “look” is the most appropriate word. But I really went through and considered if I was saying what I wanted to say in the best way that I could.

I am infinitely more happy with the way it reads right now, and Amy has barely touched it. She’s just guided me. Now she’s got her hands on it, though, and I’m prepared for some serious fat-trimming. Interestingly, I found myself strangely unable to eliminate my usage of the word “but.” So I have left these changes in Amy’s capable hands in hopes that she will guide me further.

Every time I finish a step like this I come out feeling like a better writer. I feel like I’m learning something, and that my novel is evolving into the best writing that I am capable of. It makes me very excited to take what I’ve learned (hopefully I retain some of it) and apply it to the next novel that I write. Much of it will be directly applicable to the sequel to The Timekeepers’ War, Children of Bathora.

So there you have it. Does anyone have similar experiences with their writing? Any weird words that keep popping up without you realizing it? How do you edit? Please share!

SF Themes and Ideas: Frozen Viruses

light-virus-1I might be coming late to the party on this one… but did you know that viruses can survive being frozen, become thawed, and live to infect another day?

This has been in the news for the last couple of weeks: giant virus comes back to life, etc. etc. But, “according to the researchers, the revival of the virus could mean there may be other threats to human or animal life hidden in the permafrost.”

So this is fucking scary. Also, totally intriguing. Any SF writers/readers that have come across this theme before? Does it make you think of possible themes in future work? I know it’s been done before. But has it been done well? And should it be done again? Let me know in the comments 🙂

eReaders… I’m finally joining everyone in the 21st C.

Okay. I finally did it. I’ve ordered a Kindle Paperwhite. Don’t tell me I’ve made the wrong choice; it’s too late now.

I have stubbornly avoided getting on the eBook bandwagon. I covet my moments with real books in my hands. The last thing I need in  my life is more “screen time.” I need the soft shush of pages turning, the sweet smell of ink and book-glue and paper (side note: anyone else in love with the smell of used book stores? the older books get, the better they smell). I need the feel of them in my hands to truly enjoy reading.

At least, that’s what I’ve been telling myself. Because that’s how it’s been for me for the last 30 years. Actually, I’m not sure that my owning an eReader is going to change any of that. I will always love paper books. However, I am willing to make some concessions to my ideals for the sake of three things…

1) I would like to be able to view my own books in their electronic form for the sake of proofing, editing, and plain old curiosity. Although I trust my publisher to make my upcoming novel as professional as it can be, I am venturing into the world of self-publishing for some of my novellas, short-stories, etc. and I need to be able to view them as they will be viewed by others.

2) There are so many lovely self-published and small press authors out there whom I would love to support. Many of them only publish eBooks, which is one reason I feel I need an eReader. But even those who offer paperbacks as well, I would like to be able to purchase in eBook format. Not that I wouldn’t love to have a huge library of hardcopy indie books. But eBooks make the difference between me being able to support three or four authors for the same price as one, if I limit myself to paperbacks. I want to share the love a bit 🙂

3) My wallet will (hopefully) thank me. Not only will I be able to spread my dollars around a bit more to show my Indie love, but I will hopefully be able to save some money on traditionally published books as well. There are some books that I am curious about, but just can’t bring myself to spend the money on. If the eBook is significantly cheaper, I may discover authors that I would have otherwise avoided out of uncertainty. I never hold back from buying a book that I know I love, but I’d like to take a few more risks and not feel like I’m breaking the bank.

So there you have it. My rationale… What do you think? Do you have and love your eReader? Are you a stubborn old goat, like me, who clings to paper books like the precious relics they are? Do you have an eBook that you think I might enjoy? Drop me a line, and post links in the comments. I will review sci-fi and fantasy on Cat’s Liminal Space, and others on Goodreads and Amazon.