The very first Black SF&F writer I ever read was Nalo Hopkinson. This was back in high school when I stumbled upon Brown Girl in the Ring and long before I realized how important science fiction and fantasy could be to women and other marginalized people.
I can’t even remember how I stumbled upon it, or why I picked it up, other than that I knew it would be different from anything else I had ever read. Probably I heard about her on CBC Radio. And it was. Different. Gloriously, magically, chills-up-the-spine different from anything I had ever read.
Hopkinson’s blend of Caribbean folk lore and fantasy opened my eyes to the sheer potential of the genre. And it woke a hunger in me for these Other stories. The stories that we have to dig to find. The stories that go beyond the SF&F Canon that my reading had been previously limited to. Stories about Othered people and places and worlds that have been pushed to the peripheral.
That feeling never left me. I still feel that thrill when I pick up a book that I know is going to show me something new, a different way of seeing, a story through eyes I’ve never seen through before. It really does give me chills.
I hope, in sharing her work with you today, you’ll discover something new and wonderful that opens your eyes to a different perspective. There are as many ways to dream as there are people in the world, and there is no reason to stick with the same old visions all the time!
About Nalo Hopkinson
In this “impressive debut” from award-winning speculative fiction author Nalo Hopkinson, a young woman must solve the tragic mystery surrounding her family and bargain with the gods to save her city and herself. (The Washington Post)
The rich and privileged have fled the city, barricaded it behind roadblocks, and left it to crumble. The inner city has had to rediscover old ways — farming, barter, herb lore. But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, and the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends.
It’s Carnival time and the Caribbean-colonized planet of Toussaint is celebrating with music, dance, and pageantry. Masked “Midnight Robbers” waylay revelers with brandished weapons and spellbinding words. To young Tan-Tan, the Robber Queen is simply a favorite costume to wear at the festival–until her power-corrupted father commits an unforgiveable crime.
Suddenly, both father and daughter are thrust into the brutal world of New Half-Way Tree. Here monstrous creatures from folklore are real, and the humans are violent outcasts in the wilds. Tan-Tan must reach into the heart of myth and become the Robber Queen herself. For only the Robber Queen’s legendary powers can save her life . . . and set her free.
From the SFWA Grand Master, a“sexy, disturbing, touching, wildly comic . . . tour de force” that blends fantasy, women’s history, and slavery (Kirkus Reviews, starred review).
In 1804, shortly before the Caribbean island of Saint Domingue is renamed Haiti, a group of women gather to bury a stillborn baby. Led by a lesbian healer and midwife named Mer, the women’s lamentations inadvertently release the dead infant’s “unused vitality” to draw Ezili—the Afro-Caribbean goddess of sexual desire and love—into the physical world.
As Ezili explores her newfound powers, she travels across time and space to inhabit the midwife’s body, as well as those of Jeanne—a mixed-race dancer and the mistress of Charles Baudelaire living in 1880s Paris—and Meritet, an enslaved Greek-Nubian prostitute in ancient Alexandria.
Bound together by Ezili and “the salt road” of their sweat, blood, and tears, the three women struggle against a hostile world, unaware of the goddess’s presence in their lives. Despite her magic, Mer suffers as a slave on a sugar plantation until Ezili plants the seeds of uprising in her mind. Jeanne slowly succumbs to the ravages of age and syphilis when her lover is unable to escape his mother’s control. And Meritet, inspired by Ezili, flees her enslavement and makes a pilgrimage to Egypt, where she becomes known as Saint Mary.
With unapologetically sensual prose, Nalo Hopkinson, the Nebula Award–winning author of Midnight Robber, explores slavery through the lives of three historical women touched by a goddess in this “electrifying bravura performance by one of our most important writers” (Junot Díaz).
First it’s her mother’s missing gold brooch. Then, a blue and white dish she hasn’t seen in years. Followed by an entire grove of cashew trees.
When objects begin appearing out of nowhere, Calamity knows that the special gift she has not felt since childhood has returned-her ability to find lost things. Calamity, a woman as contrary as the tides around her Caribbean island home, is confronting two of life’s biggest dramas. First is the death of her father, who raised her alone until a pregnant Calamity rejected him when she was sixteen years old. The second drama: she’s starting menopause. Now when she has a hot flash and feels a tingling in her hands, she knows it’s a lost object calling to her.
Then she finds something unexpected: a four-year-old boy washes up on the shore, his dreadlocked hair matted with shells. Calamity decides to take the orphaned child into her care, which brings unexpected upheaval into her life and further strains her relationship with her adult daughter. Fostering this child will force her to confront all the memories of her own childhood-and the disappearance of her mother so many years before.
Navigate between myth and chaos in this “journey filled with peril, self-discovery, and terrifying moments” (Publishers Weekly, starred review).
Sixteen-year-old Scotch struggles to fit in—at home she’s the perfect daughter, at school she’s provocatively sassy, and thanks to her mixed heritage, she doesn’t feel she belongs with the Caribbeans, whites, or blacks. And even more troubling, lately her skin is becoming covered in a sticky black substance that can’t be removed. While trying to cope with this creepiness, she goes out with her brother—and he disappears. A mysterious bubble of light just swallows him up, and Scotch has no idea how to find him. Soon, the Chaos that has claimed her brother affects the city at large, until it seems like everyone is turning into crazy creatures. Scotch needs to get to the bottom of this supernatural situation ASAP before the Chaos consumes everything she’s ever known—and she knows that the black shadowy entity that’s begun trailing her every move is probably not going to help.
A blend of fantasy and Caribbean folklore, at its heart this tale is about identity and self acceptance—because only by acknowledging her imperfections can Scotch hope to save her brother.
Nalo Hopkinson–winner of the John W. Campbell Award, the Sunburst Award, and the World Fantasy award (among others), and lauded as one of our “most inventive and brilliant writers” (New York Post)–returns with a new work. With her singular voice and characteristic sharp insight, she explores the relationship between two sisters in this richly textured and deeply moving novel . . . Sister Mine We’d had to be cut free of our mother’s womb. She’d never have been able to push the two-headed sport that was me and Abby out the usual way. Abby and I were fused, you see. Conjoined twins. Abby’s head, torso, and left arm protruded from my chest. But here’s the real kicker; Abby had the magic, I didn’t. Far as the Family was concerned, Abby was one of them, though cursed, as I was, with the tragic flaw of mortality.
Now adults, Makeda and Abby still share their childhood home. The surgery to separate the two girls gave Abby a permanent limp, but left Makeda with what feels like an even worse deformity: no mojo. The daughters of a celestial demigod and a human woman, Makeda and Abby were raised by their magical father, the god of growing things–a highly unusual childhood that made them extremely close. Ever since Abby’s magical talent began to develop, though, in the form of an unearthly singing voice, the sisters have become increasingly distant.
Today, Makeda has decided it’s high time to move out and make her own life among the other nonmagical, claypicken humans–after all, she’s one of them. In Cheerful Rest, a run-down warehouse space, Makeda finds exactly what she’s been looking for: an opportunity to live apart from Abby and begin building her own independent life. There’s even a resident band, led by the charismatic (and attractive) building superintendent.
But when her father goes missing, Makeda will have to discover her own talent–and reconcile with Abby–if she’s to have a hope of saving him . . .
Short Story Collections
Skin Folk (2001) (short stories)
The SFWA Grand Master’s award-winning collection “combines a richly textured multicultural background with incisive storytelling” (Library Journal).
In Skin Folk, with works ranging from science fiction to Caribbean folklore, passionate love to chilling horror, Nalo Hopkinson is at her award-winning best, spinning tales like “Precious,” in which the narrator spews valuable coins and gems from her mouth whenever she attempts to talk or sing. In “A Habit of Waste,” a self-conscious woman undergoes elective surgery to alter her appearance; days later she’s shocked to see her former body climbing onto a public bus. In “The Glass Bottle Trick,” the young protagonist ignores her intuition regarding her new husband’s superstitions—to horrifying consequences.
Hopkinson’s unique pacing and vibrant dialogue sets a steady beat for stories that illustrate why she received the John W. Campbell Award for Best New Writer. Entertaining, challenging, and alluring, Skin Folk is not to be missed.
So Long Been Dreaming (2004, anthology)
So Long Been Dreaming: Postcolonial Science Fiction & Fantasy is an anthology of original new stories by leading African, Asian, South Asian and Aboriginal authors, as well as North American and British writers of color.
Stories of imagined futures abound in Western writing. Writer and editor Nalo Hopkinson notes that the science fiction/fantasy genre “speaks so much about the experience of being alienated but contains so little writing by alienated people themselves.” It’s an oversight that Hopkinson and Mehan aim to correct with this anthology.
The book depicts imagined futures from the perspectives of writers associated with what might loosely be termed the “third world.” It includes stories that are bold, imaginative, edgy; stories that are centered in the worlds of the “developing” nations; stories that dare to dream what we might develop into.
The wealth of postcolonial literature has included many who have written insightfully about their pasts and presents. With So Long Been Dreaming they creatively address their futures.
Report From Planet Midnight (2012) (short stories, interview and speech)
Infused with feminist, Afro-Caribbean views of the science fiction and fantasy genres, this collection of offbeat and highly original works takes aim at race and racism in literature. In “Report from Planet Midnight,” at the International Association of the Fantastic in the Arts, an alien addresses the crowd, evaluating Earth’s “strange” customs, including the marginalization of works by nonwhite and female writers. “Message in a Bottle” shows Greg, an American Indian artist, befriending a strange four-year-old who seems wise beyond her years. While preparing an exhibition, he discovers that the young girl is a traveler from the future sent to recover art from the distant past—which apparently includes his own work. Concluding the book with series editor Terry Bisson’s Outspoken Interview, Nalo Hopkinson shares laughs, loves, and top-secret Caribbean spells.
Falling in Love With Hominids (2015) (short stories)
An alluring new collection from the author of the New York Times Notable Book, Midnight Robber
Nalo Hopkinson (Brown Girl in the Ring, The Salt Roads, Sister Mine) is an internationally-beloved storyteller. Hailed by the Los Angeles Times as having “an imagination that most of us would kill for,” her Afro-Caribbean, Canadian, and American influences shine in truly unique stories that are filled with striking imagery, unlikely beauty, and delightful strangeness.
In this long-awaited collection, Hopkinson continues to expand the boundaries of culture and imagination. Whether she is retelling The Tempest as a new Caribbean myth, filling a shopping mall with unfulfilled ghosts, or herding chickens that occasionally breathe fire, Hopkinson continues to create bold fiction that transcends boundaries and borders.
Have you ever read any of Nalo Hopkinson’s work? Which was your favourite? I have read and loved Brown Girl in the Ring, Midnight Robber, and Skin Folk and look forward to reading more! Do you have a favourite folk-lore inspired SF&F writer? Share in the comments below!
Want more Black SF&F Writers?
Check out my “How Long ‘Til Black Future Month Series” for more articles featuring my favourite Black SF&F writers: