I really enjoyed this piece from the Samurai Novelist. I think it sums up why it’s so important to write when life is difficult (personally and politically). I know my writing is at its best when I’m at least a little uncomfortable. I feel things more keenly, and tend to be more aware of little details and moments of significance. What do you think?
One of the things I’ve always been leery of as a writer are paid writing competitions. It is hard to find competitions that are vetted by professionals and which offer something in return beyond “a chance” to win–whatever the actual prize may be, recognition, cash, publication. The return I’m talking about is that elusive and invaluable thing writers around the world are desperately seeking: FEEDBACK.
When I first heard about the NYC Midnight Challenges, I was curious. The set up appeals to me, for sure. You receive your assignment and then have 48 hours to complete it, eliminating the sense I always have that to enter a competition you must slave over a piece for weeks or months, hire a professional editor, and finally submit your 50th draft. Hey, if it costs $50 to enter, you want to make sure you’re putting your best foot forward, right?
The appeal of the limited time-frame for the NYC Challenges is that everyone has the same amount of time, limited ability to get outside help, and that you never know what you are going to have to write when you sign up. This evens the playing field, and also presents a different set of challenges from many competitions. Great. But what is even better is the guarantee that everyone will sit at least two challenges (in the Flash Fiction competition, other challenges have different structures) and that you will receive positive and constructive feedback on every round you complete.
So I took the plunge this year. My first ever paid writing competition. How did I do? Well, I’ll let you know when I finish. But I’m thrilled to announce that I have made it to Round 3 after placing first and third, respectively, in my group for the first two challenges. There were nearly 2500 participants for the Flash Fiction challenge this year, which is huge! Rounds 1 and 2 participants competed against 31 other people, each group received an assignment of Genre-Location-Object.
The scores from Rounds 1 and 2 were combined, and the top five participants from each group have moved on to Round 3. We have been assigned new, smaller groups (about 25 each, by my calculations) and each group has a new Genre-Location-Object assignment. Once we finish (yes, I’m supposed to be writing right now) and the results are in, the top four scoring participants from each group will move on to the 4th and final round. Yes, there are cash prizes for the top three in the final round. But by this point I will have completed at least three rounds, with three sets of feedback, and even if I don’t make it to the next round, I feel I’ve gotten my money’s worth. And I would have felt that way after the feedback on Rounds 1 and 2, too. Round 3 is a wonderful bonus!
I originally published my stories with judges feedback, however I have removed these pieces so that I can rework them and submit to magazines and journals. Apparently they don’t like to pay for things that are available for free elsewhere on the internet, even if it’s an early draft.
I can honestly say that Jennifer Roush’s sci-fi novel Refuse is unlike anything I have ever read. I’m guessing this is going to be new to you, too. Now, don’t go running away screaming. This is not some experimental post-narrative fart sniffing BS. When I say new I mean…
I have never been inside a characters head quite like this before. And I like it.
Refuse is a serious book that doesn’t take itself too seriously. And you can hear Roush’s voice oozing out of every word of every sentence. This book has style. Narrative style. A very distinct narrative style that I can only compare to the likes of Terry Pratchett and Neil Gaiman (both of whom Roush is nothing like, I just compare for the intensity of authorial voice).
It’s not going to be for everyone, I’ll say that right now.
Refuse is the story of Antoinette Foucault, a human resident on the asteroid Psyche (which is shared with two other alien species, the mysterious Grays and the powerful Amarians). Psyche is home to a Colony of the solar systems unwanted humans: emotional deviants who refuse to conform to Amarian rules. Antoinette is not a patient of the Colony, but she should be.
The band of misfits that propel this story are so bizarre it’s almost a thing of beauty. The inner workings of Antoinette’s mind as she works her way through the mysterious society of Psyche certainly are beautiful. Raw and course and sometimes ugly; but beautiful.
What I like best about Refuse beyond the sheer strangeness of the plot and characters, is Antoinette’s voice. The gritty, gross, sometimes absurd musings of a woman who is destined to destroy her home. She’s a deviant, surely. But in this world, so are we all. Sometimes Anty is so funny that we forget there is nothing funny about her situation, and that’s the beauty of this book.
I’m a big fan of SF that gets outside the box. Science fiction should be a world without boxes, but there’s a tradition at play that many writers struggle to break free from. Roush succeeds, and then some. She manages to play with ideas around species, individuality, gender, race, and sexuality so fluidly that you don’t realize much of what Antoinette is going through is a parallel to our own world. If you’re like me, you’ll be laughing too hard to realize that Refuse is a serious book.
And that’s why I love it.
FULL DISCLOSURE: Jennifer Roush is my friend and sometimes editor. My review is in no way coloured by this relationship. She’d probably beat me if I praised her for something that didn’t deserve praise. The fact is, I know a lot of very clever people, and I will be showcasing them (and others) here as often as I can. And I promise I will only review things I genuinely love, or genuinely hate, here. Because taste matters.
That said, if you have something you would like me to read and review (of yours or someone else’s) please let me know.